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Thursday
Feb262015

Who wore it better? The Culturist vs The Culturist

A few days ago, a couple of friends shared this image with me. It's an article titled The Culturist in Forbes magazine about Abdelmonem bin Eisa Alserkal (founder and developer of Alserkal Avenue).  

Looks like Forbes isn't aware of this blog, short on titles or maybe I should just treat this as a case of imitation is the sincerest form of flattery.

If you know anyone at Forbes, please feel free to put them in touch with yours truly, the founder and developer of this blog, The Culturist. 
 



Sunday
Feb222015

Oscars 2015: Arabs Crash Hollywood - Film Posters by Michel Achkar for Cinemoz

Grand Budapest Hotel - The Biggest Shelter in Budapest

 

Cinemoz is an online video on demand platform that offers film from the Arab world.

Last year, Cinemoz commissioned Michel Achkar to create a series of posters in the style of classic Egyptian films, to support and celebrate the three Arab films that were nominated for an Oscar - Omar, The Square and Karama Has No Walls. You can see the posters here.

This year, Cinemoz carried on the tradition despite the lack of Arab films in the list of nominations for an Academy Awards and Michel Achkar created new posters for nine of the films nominated for an Academy Award, again following the stye of classic Egyptian film posters. (Mauritania is the only Arab country that is represented in this year's list with Abderrahmane Sissako's Timbuktu in the Best Foreign Film category - but sadly didn't get the Egyptian film poster treatment.)

The posters look good, I'd love to own a few of them. Besides the title of the films that are translated into Arabic, the posters also include the names of the director, producer(s) and actors and most of them have a funny tag line (I've included the ones that are easily translatable into English).

Here are the rest of the posters. Hope you will find one or two of your favourite films. 


Birdman - Ignorance is Bliss

Inherent Vice 

Nightcrawler

Whiplash

Dawn of the Planet of the Apes - The Last Battle for Peace

Guardians of the Galaxy - Hello!

How to Train Your Dragon 2 - Two Birds, One Stone 

 

The Oscars ceremony takes place tonight in the US (Monday, 23rd February at 5am Dubai time).  

 

All posters  © Cinemoz 2015 - Original artwork by Michel Achkar.

 

www.cinemoz.com
www.behance.net/michel89  

 

[via Cinemoz on Facebook[

Thursday
Feb122015

Film Screening: Wild Tales


The Scene Club
 will screen Damián Szifrón's Wild Tales (Relatos salvajes) on 23rd and 24th February. It's one of my favourite films from Dubai International Film Festival 2014 and in my top five films of 2014. The film is also nominated for Best Foreign Language Film at the 87th Academy Awards (we will know if it wins or not on 23rd February).

Wild Tales is an anthology featuring characters that have been pushed to their limits. People getting screwed over (by bureaucracy, loved ones and life) and saying a big F.U. to all of it. It's an angry film told with very dark humour. 

If you're looking for films to watch that week, then please make it this. Tickets are complimentary, but you must register in advance and collect your ticket at the venue. 

 

 

Wild Tales (Relatos salvajes) is a collection of crazy, absurd and hilarious stories of people who are stressed out or depressed by the drive for success, competition and the inequality of the world we live in. With its underlying theme of deep emotions, this Argentinean comedy-drama boasts an eclectic ensemble cast.


 

 

Event details
Date: Monday, 23rd and Tuesday, 24th February 
Time: 7.00-7.45pm - Ticket Collection and Networking | 8.00pm – Film screening 
Venue: Knowledge Village Auditorium, Dubai (location map)
Film duration: 122 minutes (Spanish with English subtitles)
Register for your ticket online.    

 

 

www.thesceneclub.com  
www.relatos-salvajes.com  

 

Tuesday
Feb102015

Hermigervill and Berndsen live at Bad House Party on 5th March 2015

 


On Thursday, 5th March 2015, Dubai will get a taste of electro/synth/pop music from Iceland, a double bill no less, featuring Hermigervill and Brendsen, thanks to Bad House Party. If you are familiar with this blog or know my interests, you won’t be surprised to know I almost fainted when I heard the news. Anything Icelandic makes me happy, especially the music.

Bad House Party started in September 2013, a monthly night of indie/punk/electro music put together by a group mostly non-professional DJs and friends who invite their other friends to guest DJ. It’s a night that offers an alternative to the commercial music and DJ nights in the city. 

In the past we've had nights like this come and go (Twisted Melons, Freshly Laced and Loaded to name a few), all ending a few years after starting for various reasons (founders of these events leaving the countries or moving on to do other things).   

Over the past year Bad House Party's following has been increasing, mostly by people who are there for the music. I'm not a regular myself, mainly because I’m not a fan of the venue (Casa Latina at Ibis), the music can be bit of a hit or miss depending on who is DJing and the crowd is slightly on the immature side - or maybe I'm now just too old for nights like this. 

Having said all that, I am EXTREMELY EXCITED about the gig on 5th March which will be Bad House Party's 17th edition and the first live performance night. I like this new direction, and if this night will be a success, we can expect more exciting and edgy bands/DJs (which I hope will also include acts closer to home, including the UAE). 


Hermigervill and Brendsen have collaborated together, but also have their own music projects. A little bit about each one: 
 

Hermigervill  

© Hind Mezaina - Hermigervill (Reykjavik, November 2013)

I first watched Hermigervill during an online live stream of a performance that was part of Iceland Airwaves 2012 Off-Venue programme and was smitten. I then saw him live when I first visited Iceland in February 2013 for Sonar Reykjavik and several times in November 2013 at Iceland Airwaves and fell in love with him even more.  

Hermigervill is fun, energetic, dorky and will get you dancing with his theremin, synths and his wild red hair. 

The following is a small selection of his music to give you a taste; the first video will give you an idea of his live performance. Really looking forward to seeing how the Dubai crowd will react to him and his music. 

 



 

Berndsen 

I have not seen Brendsen live, but I do like his music. A lot.

A man whose love of the 80s is at his very core, David Berndsen is a bearded iconic pop figure in Iceland, famous for his sound and various videos that recreate an era and a distinct moment in time when music (and the costumes and aesthetics) from groups such as Soft Cell, OMD, Yazoo, Visage, the Human League and Ultravox triumphed worldwide.  via berndsen.bandcamp.com

My kind of music. Here's what to expect. 

  

 

 

 

Music heads of Dubai, DON'T MISS THIS. It will be synthastic.

 

Event details
Date: Thursday, March 5th, 2015
Location: Casa Latina, Ibis Hotel in Barsha, Dubai (location map). 
Ticket: AED 100
Doors: 9:00 pm to 2:45 am (Resident Bad House Party DJs will be on till around midnight before Hermigervill and Brendsen). 

 

 

www.hermigervill.bandcamp.com  
www.berndsen.bandcamp.com  
www.facebook.com/thebadhouseparty 
www.badhouseparty.tumblr.com
@badhouseparty 

 

Tuesday
Feb102015

Slidefest #15 - 18th February 2014

Gaar Adams

The 15th edition of Slidefest* organised by Gulf Photo Plus is back this month after a long summer break. The latest edition will take place on Wednesday, 18th February at 7pm in the Knowledge Village Auditorium


Here's the line up of presenters: 

 

Gaar Adams

Gaar Adams has spent over five years in the Arab world – including extensive time in Yemen – and is co-author of a forthcoming Yemen travel guide. 

Over the past three years, Adams has documented the dying sport of Mallakhamb in Maharasthra, India; the struggling national gymnastics program in Sana’a, Yemen; the thriving Pehlwani wrestling competitions of the South Asian diaspora in Dubai, UAE; and the enduring ritual-performances of Kathakali, Kalaripayattu, and Mohiniyattam, in Kerala, India. The intentions of this ongoing project have been primarily to investigate the nuance between sport and theatrics.

 

Franck Boutonnet

On Thursday, 5th of December 2013, Jacob Zuma, the South African president, announced Mandela has died, and that he would be given a state funeral. For 10 days, a whole nation paid its last respects to the Father of the Nation.

Franck Boutonnet documented this last journey, from Johannesburg, Pretoria and to Kunu, in the Eastern Cape region of South Africa, the ancestral home of Nelson Mandela.

 

Sarah Dea 

Sarah Dea is a Canadian born, Chinese photographer working from Dubai, United Arab Emirates. She is currently a staff photojournalist at an English language newspaper based out of Abu Dhabi.

"Mohammed" is a portrait series of different men from a variety of different backgrounds, bearing the same name.  It is one of the most common given names in the world, yet each Mohammed is unique and has a story to tell.

 

Saadia Mahmud and Bernard Menettrier de Jolli
 

Saadia Mahmud is a UAE based travel, street and portrait photographer. After 23 years of working in financial markets, she had a meltdown, quit her day job and now only makes pictures. 

It's a surprise to all who know Bernard Menettrier de Jolli that he is a photographer. Once you get to know him, you realize he’s shortsighted, astigmatic and color-blind. He’s been a corporate guy for the past 30 years and spends most of his weekends prowling the streets. Bernard enjoys portraits and street photography. 

Bernard and Saadia will be presenting a photographic project called Transformation which focuses on the demolition of Dubai's Defence Colony, a housing compound  established in early 1970s next to a large military camp in Dubai, primarily for the UAE’s military families.  

 

Anna Maria Nielsen 

Anna Marie Nielsen is a Danish photographer based in Dubai. She graduated from a degree in photojournalism in 2012 in the UK and has since divided her time between working on personal projects and commissions for news papers.  Her work focuses on social documentary and often focuses on female protagonists.  

Anna will be presenting a project titled Young British Converts, which follows the lives of three young British women who are all living a new life as Muslim converts in the UK.  Based in the South West of the UK the women are facing the reaction of their conversions from their relatives, friends, colleges and fellow students who all have had a hard time accepting the decision they have made. 

 

Sreeranj Sreedhar

Sreeranj Sreedhar is a travel, documentary and culture photographer from the state of Kerala in India currently working and residing in Dubai. His passion lies in creating images that communicate a strong sense of place and cultural awareness of the people and the country.

Sreeranj will be presenting a project about the Vedic School of Kerala, India, one of the oldest institutions in India that continues to teach Vedas (ancient Indian scripts).  Located in the heart of Thrissur, Kerala, the research centre is believed to be one of the four Madhas established by Adi Shankara's disciples and is estimated to have been established over 400 years ago.

 

Larry Towell
 

Larry Towell is an award winning Magnum photographer who has spent a considerable amount of time living with different communities in order to document a theme he describes as 'landlessness'. In 1996 Towell completed a project based on 10 years of reportage in El Salvador, followed the next year by a book on the Palestinians. His fascination with landlessness also led him to the Mennonite migrant workers of Mexico, an 11-year project completed in 2000. 

Originating in Europe in the 16th century, the Mennonites are a Protestant religious sect, related to the Amish. Rather than compromise their way of life, they have continually been forced to migrate around the world to maintain their freedom to live as they choose. The greatest numbers are now found in Mexico, and many live or regularly migrate to work in rural Canada.  The project Larry will be sharing remotely at Slidefest will be his series on Mennonites in Canada. 

 

 

 

* Slidefest is a free community event hosted by Gulf Photo Plus where photographers take the stage to share unique, personal photography projects that run the gamut of genres including landscape and portrait photography, travel and fine art photography and much more. The event also aims to bring photographers (amateurs and pros) and people from the photography community together where people can network, connect and share stories.

 

 

www.gulfphotoplus.com 
www.gulfphotoplus.com/blog/864/GPP-Slidefest-Dubai-Knowledge-Village-Wed-Feb-18-at-7pm

Monday
Feb092015

Postlude Volume 1: The Post Oriental Odyssey at The Mine

Tareq de Montfort - Ward Suri fe Bayt Ziad | Photography | 75x114cm

 

Postlude Volume 1: The Post Oriental Odyssey is a group exhibition featuring artists based in Bahrain, Kuwait, UAE, Saudi Arabia, and Qatar and will showcase various installations, works on canvas, new media, photography and performance art. The exhibition will open on Wednesday, 11th February and will till Sunday, 8th March 2015. 

Curated by Mohamed Reda, the exhibition will explore the influence of cultural identity in Middle Eastern contemporary art. 

The artists will research the effect of orientalization, the re-orienting, and the neo-orientalizing framework that dictates the movement of the Middle Eastern art scene.

Whether or not such an effect is a direct or indirect influence on the production and reproduction of their works, ideas, and identities as artists, will be studied in the identification of post-colonialism, the legacy of the orient and the commercial art market’s penchant for oriental exoticism.

 

Exhibiting artists:
Habeeb Abu Futtaim, Sumayya Abdul Ghani, Dana Al Jouder, Zahra Al Mahdi, Mai Al Moataz, Abdullah Al Othman, Hind Bin Demaithan, Liane Ghusain, Tareq de Montfort, Mariam Haji, Hasan Hujairi, Deena Machina, Khalid Mezaina, Nasir Nasrallah, Othman Khunji, Mohammad Sharaf

 

Here are some of the works. 

Dana Al Jouder - Blocks | Acrylic, Cardboard, video | 4:3min

 

Left: Mohammad Sharaf - Allowed – One year later | Silkscreen-printed on craft paper | 50cm x 70cm Right: Deena Machina - I am Human #1 | Mixed media on paper | 33x48cm 

I have mixed feelings about the "post oriental" part of the theme, but I am curious to see what kind of work will be exhibited.

 

 

 

Exhibition details
Date: 11th February - 8th March 2015 (
Venue: The Mine, Street 8a (Opposite Al Serkal Avenue), Warehouse 38, Al Quoz 1 (location map)

 

 

www.themine.ae 

 

Sunday
Feb082015

Systems for a Score and Live Electro-Acoustic Drawing by Fari Bradley and Chris Weaver

 

On Tuesday, 10th February, Tashkeel will host Live Electro-Acoustic Drawing, a one night performance that will include projected live drawing, both led and accompanied by sound on hand-made acoustic and electronic instruments.

The performance by Sofia Chatzisararanti, Fari Bradley and Chris Weaver forms part of Fari Bradley and Chris Weaver 's exhibition Systems for a Score currently on show at Tashkeel until 14th February 2015. 

The performance will start at 7.30pm. Really looking forward to this. 

 

 

About Systems for a Score:

 

Sound art can work to an unprecedented set of scores and there is a fluidity to it that reaches beyond the visual signifier. The language of sound, determined by subjective imagination and context, enjoys certain freedoms from the semantically binding codes that dominate the visual arts.

 

 

For their first exhibition in the region Fari Bradley and Chris Weaver construct a possible 'grammar of sound' from its own physical, occluded principles. Through the reiteration of sound across a series of forms, Systems for a Score delineates the subtle capacity of sound to bridge actual and imagined states.  

 

 

Fari Bradley and Chris Weaver set out to examine the language of sound art from the premise that hearing is 'another form of seeing.' 

Systems for a Score experiments with different patterns and technologies of sound-making, triggering our innate ability to decode, decipher and extract compositional or rhythmic patterns from both visual and audible matter. The exhibition challenges and capitalises on our perception of listening as a sensory experience conditioned by context, and explores how sound can be used to delineate the invisible or intangible while at odds with expected visual representations. 

 

 

 

Event details
Dates: 
Live Electro-Acoustic Drawing - Tuesday, 10th February at 7.30pm
Systems for a Score - Until 14th February (Saturday-Thursday, 8:00am-10:00pm)

Venue: Tashkeel, Nad Al Sheba (location map)

 

 

 

www.tashkeel.org/exhibitions/systems-for-a-score 
www.tashkeel.org/residencies/updates/live-electro-acoustic-drawing  

 

Saturday
Feb072015

Sharjah Biennial 12: The past, the present, the possible - Opening Programme

Sharjah Biennial 12 will take place between 5th March and 5th June 2014. Curated by Eungie Joo with associate curator Ryan Inouye, the theme this year is "The past, the present, the possible".  

The premise of Sharjah Biennial 12 stems from a conversation between artist Danh Vo and curator Eungie Joo in early 2013, about the relevance of contemporary art and the potential of artistic positions to imagine something beyond current states of social and political confinement.

Beginning with Sharjah Art Foundation’s annual March Meeting in 2014, Sharjah Biennial 12 has engaged artists in a conversation about the place, the project, and each others’ practices. Though archaeological research confirms the presence of humans in this region over 125,000 years ago, Sharjah—as a city, an emirate and a member of a relatively young federation—is still in the process of imagining itself through education, culture, religion, heritage and science.

Sharjah Biennial 12 invites over 50 artists and cultural practitioners to participate in this process by introducing their ideas of the possible through their art and work. Two-thirds of participating artists will present new works and commissions.


This year's edition of the biennial will include new venues in and around Sharjah, including The Flying Saucer (formerly a supermarket and restaurant), plus an an abandoned ice factory in the city of Kalba on the Gulf of Oman

 


The opening week of the biennial, 5th - 7th March 2015 will include a series of tours, performances, events and film screenings. There are no VIP invites and passes for this. It is open to everyone and free to attend. So I strongly suggest you block your calendars and make your way to Sharjah for the opening.  

 

 

Opening Programme:


Thursday, 5th March 2015

10:00 am
Sharjah Biennial 12 Official Opening in the presence of H.H. Sheikh Dr. Sultan Bin Mohammed Al Qasimi
Location: SAF Art Spaces 

10 am - 1 pm
Abkhazia Anembassy hours with Maxim Gvinjia, part of Secession Sessions by Eric Baudelair
Location: Sharjah Institute for Theatrical Arts

Ongoing
XYZ: action 
by Eduardo Navarro
Location: Al Hamdan Bin Mousa Square

Ongoing
Use Like Water

Performance by Nikhil Chopra
Location: Bait Obaid Al Shamsi

9:30 pm 
Souls’ Landscapes: Violence, magical superstructures & invisible guardians
Performance by Uriel Barthélémi
Location: Mirage City Cinema, SAF Art Spaces
Duration: 35 minutes



 

 

Friday, 6th March 2015

10:00 am – 1:00 pm 
Abkhazia Anembassy Hours with Maxim Gvinjia, part of Secession Sessions by Eric Baudelaire 
Location: Sharjah Institute for Theatrical Arts  

4:00 pm 
Fanfare funérailles (Funeral Brass) 
Performance by Papy Ebotani 
Location: Arts Square to Calligraphy Square
Duration: 70 minutes  

Until sunset
Use Like Water

Performance by Nikhil Chopra
Location: Bait Obaid Al Shamsi

8:30 pm 
Le Cargo
Performance by Faustin Linyekula
Location: Sharjah Institute for Theatrical Arts
Duration: 55 minutes

 

10:00 pm 
In the absence of the objects seen
Screening event by Ayreen Anastas and Rene Gabri 
Location: Bait Obaid Al Shamsi  

 



Saturday, 7th March 2015 

10 am - 5 pm
Excursion to Kalba to view installation by Adrián Villar Rojas and installation by Hassan Khan at the Flying Saucer in Sharjah
Buses depart from Sharjah Art Museum, Sharjah Rotana Hotel and the Radisson Blu Hotel.


7:00 pm 
Souls’ Landscapes: The great mantle of night which has enveloped us…
Performance by Uriel Barthélémi  
Location: Warehouse 1 at Khalid Port
Duration: 35 minutes  



9:30 pm 
Le Cargo
Performance by Faustin Linyekula 
Location: Sharjah Institute for Theatrical Arts
Duration: 55 minutes  

 

 

11:00 pm
SB12 Film Programme screening
Location: Mirage City Cinema, SAF Art spaces 

 

 

There will be additional unscheduled events taking place, so just turn up and be open to the biennial. After the opening week, there will be weekly film screenings and an education programme every Saturday starting from 7th March. I will be posting more about Sharjah Biennial 12 over the next few weeks. 

I had such a great time at Sharjah Biennial 11 and I can't wait to dive into Sharjah Biennial 12.

 

 

 

Sharjah Biennial 12: The past, the present, the possible includes works by:
Basel Abbas*, Ruanne Abou-Rahme*, Etel Adnan*, Babak Afrassiabi*, Abdullah Al Saadi*, Rheim Alkadhi*, Ayreen Anastas*, Leonor Antunes*, Uriel Barthélémi*, Eric Baudelaire, Mark Bradford*, Unnikrishnan C.*, Chimurenga*, Nikhil Chopra*, Saloua Raouda Choucair, Chung Chang-Sup, Abraham Cruzvillegas*, Papy Ebotani, Rene Gabri*, Ahmad Ghossein*, Im Heung-Soon*, Iman Issa*, Michael Joo*, Maryam Kashani*, Mohammed Kazem, Hassan Khan*, Kristine Khouri*, Beom Kim, Byron Kim*, Lala Rukh, Kit Lee*, Jac Leirner*, Faustin Linyekula, Jawshing Arthur Liou, Cinthia Marcelle*, Rodney McMillian*, Julie Mehretu*, mixrice*, Asunción Molinos Gordo, Eduardo Navarro*, Damián Ortega*, Rasha Salti*, Hassan Sharif, Taro Shinoda*, Gary Simmons*, Nasrin Tabatabai*, Rayyane Tabet*, Rirkrit Tiravanija*, Adrián Villar Rojas*, Danh Vo, Xu Tan, Haegue Yang*, Lynette Yiadom-Boakye*, Abdul Hay Mosallam Zarara, and Fahrelnissa Zeid

*presenting new works

 

www.sharjahart.org/biennial/sharjah-biennial-12

Wednesday
Feb042015

A look back at Sharjah Biennial 11


This is a long overdue review of Sharjah Biennial 11 that I've been meaning to share with you since the summer of 2013. With Sharjah Biennial 12 just under a month away, starting on 5th March and ending on 5th June 2015, now is a good opportunity to look back and share with you the last edition and get you excited for the next one.

If you're not familiar with Sharjah Biennial, it started in 1993 organised by Sharjah's Department of Culture and Information. It is now organised by the Sharjah Art Foundation which was established in 2009 and headed by Sheikha Hoor Al Qasimi. The biennial has grown from a traditional and regionally focused art event to a high profile biennial and the largest art event in the UAE and the Gulf region. 

The 11th edition of the Sharjah Biennial saw the inauguration of the new Sharjah Art Spaces, five new multi-functional art spaces connected by open-air courtyards and roof-top terraces within the Sharjah Heritage Area, including an open air cinema. Beautiful spaces seamlessly blended with the heritage area. 

Sharjah Art Spaces

The opening week of Sharjah Biennial 11 was very busy, but after that, I visited several times between March and May, sometimes alone and sometimes with friends. I experienced the biennial on a bright sunny day, cloudy/rainy afternoon and on quiet nights.

The biennial included more than 100 artists, architects, filmmakers, musicians and performers whose artworks and practices followed the theme of Re:emerge, Towards a New Cultural Cartography, curated by Yuko Hasegawa

In Re:emerge, Towards a New Cultural Cartography, curator Yuko Hasegawa proposes a Biennial that reassess the Westerncentrism of knowledge in modern times and reconsiders the relationship between the Arab world, Asia, the Far East, through North Africa and Latin America.

Hasegawa was inspired by the courtyard in Islamic architecture, in particular the historical courtyards of Sharjah, where elements of both public and private life intertwine, and where the objective political world and the introspective subjective space intersect and cross over.

 

The biennial was spread across several areas, all walking distance from the Heritage Area and the Sharjah Art Spaces. Each visit to the biennial was a joy, alone or with friends. I found the biennial engaging, thoughtful, refreshing and fun. 

Map of Sharjah Biennial 11 

My favourite moments/highlights from Sharjah Biennial 11 (I urge you to click on each link to read more about the work):

  • the Sharjah Art Spaces, now my favourite art space in the UAE

 

Here’s a video of the photos I took during my visits between March and May. 

 

Below is a video of photos I took from the alva noto (Carsten Nicolai) and Ryuichi Sakamoto performance during the opening week. They are snaphots from my phone and I've included an extract from Uni c by alva noto to give you a sense of what the performance was like. It was electrifying. Held in an open courtyard in Bait Al Shamsi, it was packed with people of all ages and nationalities, everyone was mesmerised. It was such a great moment and this video doesn't really do the performanc any justice, but I hope you get the idea. 

In his work, alva noto seeks to overcome the separation of art forms and genres to create an integrated artistic approach. His 2011 album univrs addresses the conceptual differentiation of a universal language (“universum/universal” as unity, entirety). The visualisation of univrs (uniscope version) – an expanded screen projection setup – combines a variety of modules on a digital level that demonstrate different methods of audio analysis. The resulting signal processing is shown as a relay structure and is performed in real time. Each module can be zoomed in on, enabling greater visual detail. The work was developed with touchdesigner software in close cooperation with Derivative in Toronto, Canada. 

 

You can see more of Sharjah Biennial 11 here.  

Look out for a post about Sharjah Biennial 12 which will take place between 5th March and 5th June 2015. If you are living in the UAE or visiting during those dates, make sure you don't miss it. 

 

 

www.sharjahart.org/biennial/sharjah-biennial-11
www.sharjahart.org  

 

Sunday
Feb012015

Cinema at The Space - February 2015

Ida
Cinema at The Space
 is celebrating the Oscars this month by screening some of the nominated films, films by the nominated directors and previous nominated/winning films.

The screenings take place at The Space in Abu Dhabi (twofour54 Park Rotana Building), and free to attend, but you must RSVP in advance.

If you've not watched them yet, then don't miss Boyhood and Ida. Both in my top ten list of favourite films of 2014. Here's the line up for February: 

 

Monday, 2nd February at 7:30pm 
Boyhood, dir. Richard Linklater (2014) 




Wednesday, 4th February at 7:30pm  
Letters from Iwo Jima, dir. Clint Eastwood (2006) 





Monday, 9th February at 7:30pm
Biutiful, dir. Alejandro González Iñárritu (2010)

 




Wednesday, 11th February at 7:30pm 
The Royal Tenenbaums, dir. Wes Anderson (2001)





Monday, 16th February at 7:30pm 
Ida, dir. Pawel Pawlikowski (2013) 





Wednesday, Feb. 18 at 7:30pm 
The Pianist, dir. Roman Polanski (2002) 




Monday, Feb. 23 at 7:30pm 
Omar, dir. Hany Abu-Assad (2013)






Wednesday, Feb. 25 at 7:30pm  
Topsy Turvy, dir. Mike Leigh (1999)