A Window Inside by Lana Slezic at Gulf Photo Plus
© Lana Slezic
A Window Inside by renowned documentary photographer Lana Slezic is a new exhibition at Gulf Photo Plus opening on 10th September 2012. The exhibition features portraits from Afghanistan shot through the glass plate of an old box camera. In 2008, Slezic won a World Press Photo Award for this series.
There will be a talk with Lana Slezic on Sunday, 9th September at 7.30pm a day before the exhibition officially opens to the public.
Here's a small selection of photos, accompanied by Lana Slezic's words about the series. I am really looking forward to seeing these photos in person.
“There is no room for love in Afghanistan”, said a young teenage girl to me one day as we sipped tea in the sitting room of her family’s apartment in Kabul. She said it as if it were true and had been true for years, for as long as she could remember. And not in that moment, but in the twilight of that evening and for several years after, her remark caused me to reflect on the kind of space that love itself can consume. An endless space without dimension, like a sketch without charcoal or a raindrop without water - more space than even the glorious mountains of the Hindu Kush could ever take up. Yet in the tiny precipice of this Afghan girl’s heart, where love and all of its beautiful unknowns should have blossomed, it didn’t, it couldn’t.
The love that I felt in Afghanistan was a luxury. It was a luxury because I was an outsider and could afford to let Afghanistan enter me in a way that allowed me to recognize the beauty in all of its harshness. And although this land and its strife often, almost everyday, brought me to feel defeat, loss and compassion, I always had a great fluffy cushion to land on - a cushion provided to me by the love of my family and the memories of a life monumentally different to what I was witness to there.
From the moment I landed in Kabul, that love could have gone in several directions. It could have rested on the landscape or the children or the poetry that existed in the tired sighs of the people. But I was unequivocally drawn - as one is to light in utter darkness - to Afghan women. For them I had passion and energy. For them my emotions had no boundaries. For them I gave in whole heartedly in order to show them to others as I saw them for myself; the most intricately designed butterflies stripped of their wings.
And then one day, a surprise. A young man I had known brought to me a stack of letters. More than six hundred pages. It was a secret correspondence of love, one that allowed the imaginations of him and his love to wander, for it was only in those pages and in their dreams that they could walk together. To disclose their love would mean the end and perhaps worse. That day I realized that love existed in Afghanistan - in a single glance, a certain tone, the shadow of a schoolyard - but not without grave risk or consequence.
For me this complicated intertwining of love took shape and form in the darkness of an old Afghan box camera. It was there as I peered into a space not larger than a small treasure chest, isolated from the rest of Afghanistan, I could fully express how I felt for these women.
Sunday, 9th September at 7.30pm - Talk with Lana Slezic at Gulf Photo Plus
Monday, 10th September at 7pm - Exhibition Opening
Exhibition will be on till 25th October 2012 (10am-7pm Sunday - Thursday; 10am-6pm on Saturdays)
Venue: Gulf Photo Plus, Alserkal Avenue, Unit D36, Street 8, Al Quoz 1, Dubai (location map)