Sharjah Art Foundation Film Screening - Sadgati (Deliverence) and Ghare-Baire (The Home and The World) by Satyajit Ray

A second night of Satyajit Ray's film screenings hosted by Sharjah Art Foundation is taking place this Saturday, 21st December (the first one took place on 7th December which I sadly missed because of the Dubai International Film Festival).

There will be two films screening this Saturday (this will be after the Performing Arts 101: Classical Arabic Music, also hosted by Sharjah Art Foundation.) 

Sadgati (Deliverence), 1981 (45 mins)  

Bengali with English and Arabic Subtitles

An untouchable Dukhi (an out-caste, played by Om Puri) approaches the village Brahmin to request him to set an auspicious date for his daughter's upcoming wedding according to the Hindu astrology. The Brahmin promises to perform the task in exchange of Dukhi slaving over household chores in return. 


Already ailing and weak due to a recent fever, Dukhi agrees and begins with cleaning the Brahman's house and stable. When he is asked to chop a huge block of wood, Dukhi’s anger increases with each blow. Working in scorching sun, hungry and malnourished, he dies. The corpse lies close to the road used by the Brahmins to go to the village well. The untouchables shun it for fear of police investigation. What can be done with the corpse of an untouchable that no one will touch?


Late in the evening, when no one looking, Brahmin ties a noose around its ankle, slides it out of the city limits and sprinkles holy water on the spot on the road to cleanse it of the untouchable’s touch.  (via

Ghare-Baire (The Home and the World), 1984 (131 mins)

Bengali with English and Arabic Subtitles

1905. Winter. Bengal, India. The period of British rule in India. Following the 'divide-and-rule' policy, Lord Curzon has decided to partition Bengal; one for Hindus and another for Muslims. The people launch a nationalist movement - Swadeshi, appealing for a boycott of foreign-made goods. The movement is symbolised by public burning of foreign-made goods, mainly the British textiles.
Bimala (Swatilekha Chatterjee) is the wife of a landlord-king Nikhil (Victor Banerjee) who has had a Western education in England and has liberal views. She is content to live in seclusion of her inner apartments and has no desire break the custom to explore the outside world. Nikhil is the only man she has ever interacted with. She met him first on their wedding day. 
Nikhil wants her to come out of Purdah into the outside world. They share a loving relationship, but he convinces her that he will never know if she really loves him unless she has opportunity to meet others and prefer him over other men. 
At his coaxing, she begins to take lessons from an English governess, and takes the symbolic walk down the corridor to the outside world for the first time. 
Nikhil introduces her to his radical friend Sandip (Soumitra Chatterjee). Sandip is a charismatic nationalist leader, staying as a guest in the palace. He is leading the boycott of foreign made goods, but his ire seems to be directed against traders who sell imported goods who are mostly Muslims.
Sandip overwhelms Bimala. He is a contrast to her quiet, reasonable and passive husband. Sandip is also a Parashite, borrowing money from Nikhil to sustain his lavish life style while leading the Swadeshi movement.
Soon it becomes apparent to Nikhil that the two of them are in love. Bimala even takes her husband's money to finance Sandip's taste for the first-class travel. And all this time Nikhil stands-by, letting Sandip stay in his palace. He does nothing even though he is opposed to Sandip's ideas, being aware that the traders in foreign goods are mostly poor Muslims and the boycott will further divide the two communities... For, Bimala has to find out the duplicity of Sandip's motives and behaviour by herself. (via


Event details

Date: Saturday, 21st December at 7.30pm

Venue: Mirage City Cinema, Sharjah Art Foundation Art Spaces, Heritage Area (location map and venue location)

Free entry.