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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - From the series Yesterday’s Sandwich, 1966-68</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - From the series Yesterday’s Sandwich, 1966-68</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - From the series Yesterday’s Sandwich, 1966-68</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - Portrait of Space, Al Bulwayeb, near Siwa, Lee Miller, 1937</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - Prix Pictet: Storm, Ishara Art Foundation, Dubai (October 17 - December 13)</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - The Sky Appears in You, 1604 Art Space, Dubai (December 11 - 21)</image:title>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2025 - Solimar Miller: Symphony of the Wetlands, XVA Gallery, Dubai (February 15 – March 20)</image:title>
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      <image:title>Home - Festive Films at VOX Cinemas - Make it stand out</image:title>
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      <image:title>Home - Festive Films at VOX Cinemas - Make it stand out</image:title>
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      <image:caption>image via https://martinparr.com</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Cynthia Zahar, Shuhud, 2024</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Piel Frères, Belt buckle depicting a peacock feather, c. 1900, Cloisonné enamel on brass and glass</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>The Last Tashahhud, Moath Alofi, 2022</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Aliyah Alawadhi, Demons in My Hair, 2025</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Lala Rukh, Beruwela a, b, c, 1996/2025 (detail)</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Kamrooz Aram, Untitled (Paravent), 2024</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Dilip Chobisa, Who owns it? - 4, 2024</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Khalid Mezaina, The Palm Tree of Life, 2019</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Jewad Selim, Nalini, 1949</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Mohammed Singel, Three Identities, One Canvas, Still me, 2012</image:caption>
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      <image:caption>Zahra Jewanjee, Translucent Facade, 2025</image:caption>
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      <image:caption>Marwan Bassiouni, New British Views #06, England, 2021</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Lala Rukh, Untitled 10 (Chicago archives 1976 – 1978)</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Autumn 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-09-20</lastmod>
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      <image:title>Home - Biennale Cinema 2025 - Roundup Of The 82nd Venice International Film Festival - Part 1 - Make it stand out</image:title>
      <image:caption>Silent Friend, dir. Ildikó Enyedi</image:caption>
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    <lastmod>2025-09-17</lastmod>
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      <image:caption>Translation (via Google Translate): La Grazia is clearly a fantasy film: - Competent politicians - An end-of-life law - A Black Pope - Clean Rome - Who makes decent songs again Green text: Winner king, come forward and find him. The author is asked to come and collect the Codacons Cup.</image:caption>
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    <loc>https://www.theculturist.com/home/cinema-roundup-favourite-films-august-2025</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.theculturist.com/home/and-just-like-that-the-finale-made-sense</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - David Lynch Films I Watched in Amsterdam</image:title>
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      <image:title>Home - David Lynch Films I Watched in Amsterdam</image:title>
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      <image:title>Home - David Lynch Films I Watched in Amsterdam</image:title>
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      <image:title>Home - David Lynch Films I Watched in Amsterdam</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Exhibitions to Visit in Dubai - Winter/Spring 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-12-28</lastmod>
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      <image:caption>Lights (Marie Menken, US 1966)</image:caption>
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      <image:caption>Mohammed Chabâa graphic design studio at the Casablanca Art School, 1966. Photo: M. Melehi © M. Melehi archives/estate.</image:caption>
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      <image:caption>Deborah Turbeville, Page from Passport, ca.1990 © Deborah Turbeville/MUUS Collection</image:caption>
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      <image:caption>GAURI GILL &amp; VINNIE GILL, Buildings and Trees Archival pigment prints (photographs), pastel and watercolour on rough paper, Dimensions variable, Courtesy of the artists</image:caption>
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      <image:caption>Maryam Tafakory, Nazarbazi (still), 2022. Courtesy of the artist.</image:caption>
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      <image:caption>Awoiska van der Molen, No. 480-18, 2017/2024</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>Exhibition display installed in the British Library’s Sir John Ritblat Treasures gallery © Daniel Lowe</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>(Left to right) Jawāz Safarī lil-Qirāʼah [My Reading Passport] by al-Jana Arab Resource Center for Popular Arts (c. 2000s) (ORB.30/9506); Leave to Remain: a Single Syrian Grain, Airbourn by Issam Kourbaj (2023) (ORB.30/9576). © al-Jana Arab Resource Center for Popular Arts and Issam Kourbaj</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>William Kentridge, Zeno Writing, 2002. From ‘Zeno’, 2001–2002 © Photo: Motaz Mawid. Courtesy of SAF</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>William Kentridge, Learning the Flute, 2003. From ‘The Magic Flute’, 2005 © Photo: Motaz Mawid. Courtesy of SAF</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>Top: Joar Songcuya: Reclining Seaman, Mariners on Deck, At the Railing, Five Seamen, 2023, Oil on canvas, 28 × 33 cm; 28 × 33 cm; 28 × 33 cm; 28 × 48 cm, Courtesy of the artist Bottom: Joar Songcuya: Passage to Suez: View at the Port, Port of Yanbu, LoadingnOil, Cargo Manifold At the Canal, Three Ships and Three Tugboats, Two Palm Trees at the Desert, Ship at the Gulf, 2023, Crayon on paper, Series of 8, 46 × 61 cm each, Courtesy of the artist, Commissioned by Art Jameel</image:caption>
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      <image:caption>Au Sow Yee, Pirates, the Trembling Ship and their 1001, Nights I: Rock and Ro, 2022 Video, 5 min. 37 s., Lyrics by Au Sow Yee, Music composed and sung by KonFuFighting / 420Hz StandardBureau, With tunes and lyrics from Row Row Row Your Boat, Courtesy of the artist</image:caption>
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      <image:title>Home - Favourite Exhibitions/Artworks of 2024 - Make it stand out</image:title>
      <image:caption>Nadia Mohammed, Garden Plants, 2021, Tapestry, 110 x 150 cm Photo by Hind Mezaina.</image:caption>
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    <lastmod>2025-03-29</lastmod>
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      <image:caption>Being John Smith (2024), film still via The Film Verdict</image:caption>
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      <image:title>Home - Personal Highlights of 2024 - Make it stand out</image:title>
      <image:caption>A selection of images from my portfolio website.</image:caption>
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      <image:title>Home - Personal Highlights of 2024 - Free Free Palestine</image:title>
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      <image:title>Home - Personal Highlights of 2024 - Viva Viva Palestina</image:title>
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      <image:title>Home - Personal Highlights of 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>The Secret Garden by Nour Ouayda in Gallery 9 at Jameel Arts Centre.</image:caption>
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      <image:caption>Photo credit: Hind Mezaina</image:caption>
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    <lastmod>2025-03-29</lastmod>
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      <image:title>Home - One More Trip Before the End of the Year</image:title>
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    <lastmod>2025-12-02</lastmod>
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      <image:title>Home - THE CULTURIST TURNS 15 - Make it stand out</image:title>
      <image:caption>August 1924. Washington, D.C. "Dancers, National American Ballet." Some really nice sashes here. Harris &amp; Ewing Collection glass negative. Image via Shorpy.</image:caption>
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      <image:title>Home - THE CULTURIST TURNS 15 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.theculturist.com/home/goodbye-to-choitrams-in-garhoud</loc>
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    <lastmod>2025-03-29</lastmod>
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    <loc>https://www.theculturist.com/home/rip-iris-apfel</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:caption>Still from The Peacock’s Graveyard by Amar Kanwar via Sharjah Art Foundation</image:caption>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Untitled (Courbet), 2020, silver gelatin print, 37 x 27.5 cm</image:title>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Untitled (David), 2019, silver gelatin print, 8 x 8 cm</image:title>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Moon and Leaf, 2022, silver gelatin print, 23.2 x 17.2 cm</image:title>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Digitalis, 2022, silver gelatin print, 25 x 18.5 cm</image:title>
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      <image:caption>Photo: Ishara Art Foundation</image:caption>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Make it stand out</image:title>
      <image:caption>Carlos Cruz-Diez - The Euphoria of Colour exhibition view, GALLERIA CONTINUA / Dubai. Photo: Musthafa Aboobacker</image:caption>
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      <image:caption>Photo: Frith Street Gallery</image:caption>
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      <image:title>Home - FAVOURITE ARTWORKS AND EXHIBITIONS OF 2023 - Make it stand out</image:title>
      <image:caption>Bridget Smith - Silver Moons I, 2022, Tintypes Silver Moons is a new series of tintypes depicting twelve luminescent spheres. Each hovers in what appears to be the deep black of space, conjuring thoughts of the moon and its phases. The photographs are created by exposing tin plates coated in silver nitrate in a large format camera, their materiality paralleling the metaphorical descriptions of the ‘silver’ light of the moon.</image:caption>
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      <image:caption>Shazia Salam - Artefacts, 2022, 1min30s Installation comprising recordings of collected vocal artefacts, breathing lights, excerpts of patent number US6658577B2. Photo: Tashkeel</image:caption>
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      <image:caption>Shazia Salam - Emotional State, 2022, 3m30s Installation comprising voice recording and digital print of spectral frequency audio visualization. Photo: Tashkeel</image:caption>
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      <image:caption>Karen Lamassonne, Ruido (Noise), 1984–2021, Installation with five paintings, acrylic on paper; five TV monitors; digitized 1⁄2 inch VHS video, color and sound, 12:40 min Courtesy die Künstlerin / the artist © Karen Lamassonne. Installation view of the exhibition Karen Lamassonne – Ruido / Noise at KW Institute for Contemporary Art, Berlin 2023; Photo: Frank Sperling.</image:caption>
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      <image:caption>Sophiya Khwaja - ‘Ambition’ series, Pencil, gouache, acrylic on paper, 30 x 30 x 90 cm Photo: Hind Mezaina</image:caption>
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      <image:caption>Sophiya Khwaja - ‘Memory’ series, Mixed media on paper, 30 x 40 cm each Photo: Hind Mezaina</image:caption>
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      <image:caption>Photo: Hind Mezaina</image:caption>
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      <image:caption>Hiroshi Sugimoto - Installation view of Theatres series, Gelatin silver prints Image credit: Mark Blower, courtesy the artist and the Hayward Gallery</image:caption>
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      <image:caption>Hiroshi Sugimoto - Installation view of Seascapes series, Gelatin silver prints Image credit: Mark Blower, courtesy the artist and the Hayward Gallery</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Edward Yang Retrospective in Taipei - Make it stand out</image:title>
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      <image:title>Home - Edward Yang Retrospective in Taipei - Make it stand out</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/2f1c74f6-459d-4ef0-a7aa-c98762a173a9/Beep+For+Freedom.jpg</image:loc>
      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Bridget Smith Silver Moons I, 2022 Tintypes 20.32 x 25.4 cm / 8 x 10 in each (unframed) 35 x 100 x 4 cm / 13 3/4 x 39 3/8 x 1 5/8 in (framed)</image:caption>
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      <image:caption>Bridget Smith Blueprint for a Sea (infinity), 2015 Cyanotype print on aluminium 110 x 230 cm / 43.3 x 90.6 in</image:caption>
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      <image:title>Home - A Short Trip to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-03-29</lastmod>
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      <image:caption>Soumya Sankar Bose, Where the Birds Never Sing (2017-2020). Inkjet print on archival paper, set of 45, dimensions variable for each print. © Soumya Sankar Bose. From the Ishara Art Foundation and the Prabhakar Collection.</image:caption>
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      <image:title>Home - Notations on Time at Ishara Art Foundation</image:title>
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      <image:caption>Aziz Hazara, Still from Monument (2019). Double channel UHD digital video, colour, sound 5:20 minutes. © Aziz Hazara. Image courtesy of the artist and Experimenter gallery.</image:caption>
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    <lastmod>2025-03-29</lastmod>
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      <image:caption>The Grapes of Wrath (John Ford, 1940)</image:caption>
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      <image:caption>December 6, 1924. "Greenwich Village Follies girls mending toys." 5x7 glass negative, George Grantham Bain Collection. Via Shorpy.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Favourite Films of 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Favourite Films of 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Favourite Films of 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Favourite Films of 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Shilpa Gupta Detail from Untitled 2018 A spoken poem in a bottle, digital photograph on paper</image:caption>
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      <image:caption>Shilpa Gupta 100 Hand drawn maps of my country, India 2008-2014 Carbon tracings on paper 56.5 x 75.5 cm</image:caption>
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      <image:caption>Zarina Directions to My House 2001 Digital print on Indian handmade paper , open edition</image:caption>
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      <image:caption>Zarina Golden Route 1982 Etching printed in gold on grey handmade paper 76 x 57 cm</image:caption>
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      <image:caption>Letter 7: from the two trees 2019 Laser jet print transfer, lithography stone 44 x 54 x 8.5 cm</image:caption>
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      <image:caption>Letter 6: cloud 2017 Laser jet print transfer, lithography stone 22 x 28 x 4 cm</image:caption>
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      <image:caption>Letter 1: about the apples 2019 Laser jet print transfer, lithography stone 27.5 x 44 x 4.5 cm</image:caption>
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      <image:caption>Letter 2: burnt tree 2019 Laser jet print transfer, lithography stone 27.5 x 33 x 4.5 cm</image:caption>
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      <image:caption>Letter 3: from the fiery sky 2019 Laser jet print transfer, lithography stone 28 x 38.5 x 7 cm</image:caption>
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      <image:caption>Slide from Art Critique in the UAE presentation by Kevn Jones. Photo by Khalid Mezaina.</image:caption>
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      <image:caption>Newspaper clip from Khaleej Times, found in the Hassan Sharif Retrospective at Sharjah Arts Foundation in 2017. Photo by Hind Mezaina.</image:caption>
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  <url>
    <loc>https://www.theculturist.com/home/samir-farid-collection-in-akkasah-center-for-photography-at-nyuad</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651956739-5V418DDDSRN0ORDKW41U/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Mother.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Mother (Dir. Omar Jamee'i, 1945) Actors in Image: Sahid Khalil, Laila Fawzy Samir Farid Collection, Akkasah: Center for Photography, Ref6</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651951648-0IAZEXUJY38FP5M3FPTL/Samir+Farid+Collection_Akkasah+Center+for+Photography_Al+Zanati+Khalifa.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Al Zanati Khalifa (Dir. Hassan Helmy, 1948) Actors in Image: Zouzou Nabil Samir Farid Collection, Akkasah: Center for Photography, Ref22</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651954443-1Z5RYJOVIITBM46SC9I1/Samir+Farid+Collection_Akkasah+Center+for+Photography_Leila+Al+Amiriya.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Leila Al-Amiriya (Dir. Niazi Mostafa, 1948) Actors in Image: Koka, Yahia Shahein Samir Farid Collection, Akkasah: Center for Photography, Ref23</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651951651-SVFJPPF87K83CVB7UX2B/Samir+Farid+Collection_Akkasah+Center+for+Photography_Congratulations+to+You.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Congratulations To You (Dir. Abdel Fattah Hassan, 1949) Actors in Image: Mohamed El-Kahlawy, Nour El Hoda Samir Farid Collection, Akkasah: Center for Photography, Ref33</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651954162-Y9ST55GHMEWAD63ERIDI/Samir+Farid+Collection_Akkasah+Center+for+Photography_Eves+Daughter.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Eve’s Daughters (Dir. Niazi Mostafa, 1954) Actors in Image: Mohamed Reda, Zinat Sedki Samir Farid Collection, Akkasah: Center for Photography, Ref69</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651949023-BMLLTLC12WE5R6AYLK74/Samir+Farid+Collection_Akkasah+Center+for+Photography_A+Town%27s+Revolt.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>A Town’s Revolt (Helmy Rafla, 1955) Actors in Image: Mohamed Fawzy, Sabah Samir Farid Collection, Akkasah: Center for Photography, Ref77</image:caption>
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    <image:image>
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      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Smiles of Fate (Ilhamy Hassan, 1955) Actors in Image: Zouzou Nabil, Salah Nazmi Samir Farid Collection, Akkasah: Center for Photography, Ref82</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573659409886-YIQY6VGI5URJOS1OVNAG/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Smiles+of+Fate.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Smiles of Fate (Ilhamy Hassan, 1955) Actors in Image: Hussein Riad, Zouzou Nabil Samir Farid Collection, Akkasah: Center for Photography, Ref82</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651949023-WE35YCIHUTOAL8I8U6JZ/Samir+Farid+Collection_Akkasah+Center+for+Photography_A+Burning+Heart.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>A Burning Heart (Dir. Kamal Al Sheikh, 1959) Actors in image: Madiha Yousri, Emad Hamdy Samir Farid Collection, Akkasah: Center for Photography, Ref941</image:caption>
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    <image:image>
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      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Secret Police (Dir. Fateen Abdel Wahab, 1959) Actors in Image: Abdelsalam El Nabolsi, Zeinat Elwy Actors in Image: Karima, Abdelsalam El Nabolsi Samir Farid Collection, Akkasah: Center for Photography, Ref109</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651955867-CQPZSSW8LXR7EO3SXUNH/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Ladies+Barber.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Ladies’ Barber (Dir. Fateen Abdel Wahab, 1960) Actors in Image: Karima, Abdelsalam El Nabolsi Samir Farid Collection, Akkasah: Center for Photography, Ref115</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573651958726-87CXEIQVY8COV89LJ60V/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Woman+Who+Traps+Men.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Woman Who Traps Men (Hassan Al Imam, 1960) Actors in Image: Shokry Sarhan, Hoda Soltan Samir Farid Collection, Akkasah: Center for Photography, Ref117</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573647756106-5L59MPL5U8VCY0VHLC08/Samir+Farid+Collection_Akkasah+Center+for+Photography_Les+Miserables.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Les Miserables (Dir. Kamal Selim, 1943) Actors in Image: Amina Rizk, Zinat Sedki Samir Farid Collection, Akkasah: Center for Photography, Ref3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573643357889-YOAAT8KZBPDWDZQUYCFS/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Gentle+Sex.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Gentle Sex (Dir. Ahmed Kamal Morsi, 1945) Actors in Image: Madiha Yousri Samir Farid Collection, Akkasah: Center for Photography, Ref7</image:caption>
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    <image:image>
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      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Mother (Dir. Omar Jamee'i, 1945) Actors in Image: Amina Rizk, Laila Fawzy Samir Farid Collection, Akkasah: Center for Photography, Ref6</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573644242007-JVEPLV56Q9LLBCL201E6/Samir+Farid+Collection_Akkasah+Center+for+Photography_Angels+in+Hell.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Angels in Hell (Dir. Hassan Al Imam, 1946) Actors in Image: Elsayed Bedir, Faten Hamama Samir Farid Collection, Akkasah: Center for Photography, Ref8</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573657524328-XINDYG9XXJVAJD12KTK1/Samir+Farid+Collection_Akkasah+Center+for+Photography_Fruit+of+the+Crime.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Fruit of the Crime (Dir. Syed Ziyada, 1947) Actors in Image: Rawheya Khaled, Zouzou Shakib Samir Farid Collection, Akkasah: Center for Photography, Ref15</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573675587636-EUF486WG48STJNEO4E0A/Samir+Faird+Collection_Akkasah+Center+For+Photography_Women+Are+Devils.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Women Are Devils (Dir. Hassan Al Imam, 1947) Actors in Image: Laila Fawzy Samir Farid Collection, Akkasah: Center for Photography, Ref20</image:caption>
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    <image:image>
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      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Zahra (Dir. Hussain Fawzy, 1947) Samir Farid Collection, Akkasah: Center for Photography, Ref21</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573648410956-0D0UCW8HINWT7E7ZYM87/Samir+Farid+Collection_Akkasah+Center+for+Photography_The+Mighty+Samson.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Mighty Samson (Kamel Al Tilmisany, 1948) Actors in Image: Hagar Hamdy Samir Farid Collection, Akkasah: Center for Photography, Ref26</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573658680647-51IEZEP98N98ARSMRBDK/Samir+Farid+Collection_Akkasah+Center+for+Photography_Nargis.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Nargis (Dir. Abdel Fattah Hassan, 1948) Actors in Image: Nour El Hoda Samir Farid Collection, Akkasah: Center for Photography, Ref29</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573675034822-YR5KMN086NSKT4ZLSABU/Samir+Faird+Collection_Akkasah+Center+For+Photography_The+Unknown+Future.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>The Unknown Future (Ahmed Salem, 1948) Actors in Image: Madiha Yousri Samir Farid Collection, Akkasah: Center for Photography, Ref31</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573674150250-NKJ30BGILISQTRSYUI20/Samir+Faird+Collection_Akkasah+Center+For+Photography_People%27s+Gossip.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>People’s Gossip (Hassan Helmy, 1949) Actors in Image: Shadya Samir Farid Collection, Akkasah: Center for Photography, Ref39</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1573642018117-CIV4C1QRO4V1D7Q1HO54/Samir+Farid+Collection_Akkasah+Center+for+Photography_Just+My+Luck.jpg</image:loc>
      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Just My Luck! (Dir. Henry Barakat, 1950) Actors in Image: Wedad Hamdy, Mimi Shakib, Shadya Samir Farid Collection, Akkasah: Center for Photography, Ref43</image:caption>
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    <image:image>
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      <image:title>Home - Samir Farid Collection in Akkasah: Center For Photography at NYUAD</image:title>
      <image:caption>Days of My Youth (Dir. Gamal Madkour, 1950) Actors in Image: Aziza Helmy, Mahmoud El Meleigy Samir Farid Collection, Akkasah: Center for Photography, Ref41</image:caption>
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      <image:caption>Oh, Men (Dir. Helmy Rafla, 1950) Actors in Image: Mohamed Fawzy Samir Farid Collection, Akkasah: Center for Photography, Ref42</image:caption>
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      <image:caption>Good News! (Dir. Abbas Kamel, 1952) Actors in Image: Karem Mahmoud, Laila Fawzy Samir Farid Collection, Akkasah: Center for Photography, Ref50</image:caption>
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      <image:caption>As You Like (Dir. Helmy Rafla, 1952) Actors in Image: Laila Fawzy, Mohsen Sarhan, Taheyya Kariokka, Aziz Othman Samir Farid Collection, Akkasah: Center for Photography, Ref55</image:caption>
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      <image:caption>Gilded Youth (Dir. Hassan Saifi, 1953) Actors in Image: Nagah Salem Samir Farid Collection, Akkasah: Center for Photography, Ref63</image:caption>
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      <image:caption>The Smiles of Fate (Dir. Ilhamy Hassan, 1955) Actors in Image: Hussein Riad, Zouzou Nabil Samir Farid Collection, Akkasah: Center for Photography, Ref82</image:caption>
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      <image:caption>The Sky Devils (Dir. Niazi Mostafa, 1956) Actors in Image: Salwa Mahmoud, Mohamed Abdel Moteleb Samir Farid Collection, Akkasah: Center for Photography, Ref73</image:caption>
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      <image:caption>Platform Number 5 (Dir. Niazi Mostafa, 1956) Actors in Image: Hoda Soltan, Zeinat Elwy Samir Farid Collection, Akkasah: Center for Photography, Ref85</image:caption>
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      <image:caption>Hamido’s Son (Dir. Fateen Abdel Wahab, 1957) Actors in Image: Ahmad Ramzy, Nelly Mazlom Samir Farid Collection, Akkasah: Center for Photography, Ref91</image:caption>
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      <image:caption>The Woman Who Traps Men (Dir. Hassan Al Imam, 1960) Actors in Image: Hoda Soltan Samir Farid Collection, Akkasah: Center for Photography, Ref117</image:caption>
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      <image:caption>Ibrahim El Salahi, Funeral and the Crescent, 1963, 101.8 cm x 94.9 cm, Herbert F. Johnson Museum of Art, Cornell University. Gift of the artist, through Mariska Marker, Photography courtesy of the Herbert F. Johnson Museum of Art, Cornell University</image:caption>
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      <image:caption>Lawrence Abu Hamdan, Earwitness Inventory (2018). Commissioned and produced by Chisenhale Gallery, London in partnership with: Witte de With Center for Contemporary Art, Rotterdam; Contemporary Art Museum St. Louis; and Institute of Modern Art, Brisbane. Courtesy of the artist. Photo: Andy Keate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546257878051-UFKXN7PLMX91LN3OGHRS/American+Animals.jpg</image:loc>
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      <image:caption>American Animals (Bart Layton, 2018) An excellent heist film blending fact and fiction, a crime to satisfy the ego and not for anything else.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546257879837-VOBO7TV21RYMK0MAWP1X/The-Ballad-of-Buster-Scruggs.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Ballad of Buster Scruggs (Ethan Coen, Joel Coen, 2018) An American West anthology that is dark and funny, but also quite moving, featuring criminals, fortune seekers, heroes and villains. Death waits for no one.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546258921435-F9OL94CZN09IAL2STQ54/Birds+of+Passage.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Birds of Passage (Cristina Gallego, Ciro Guerra, 2018) An epic tale set between 1960-80 about family, traditions, rituals, mysticism, loyalty and drug trafficking. Carmiña Martínez as the matriarch is terrific, and we need to see more women in power wearing long flowy dresses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546257878528-EKA6JZ1NT5CV3EB5CZ81/Bisbee+17.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Bisbee ‘17 (Robert Greene, 2018) About a dark history from 1917 in Bisbee, Arizona and collective memory, subjective history and re-enactment of a traumatic past. It feels very relevant to the present.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546257879082-IF61BVGEEP675X224D4D/Black-Mother_Khalik+Allah.jpg</image:loc>
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      <image:caption>Black Mother (Khalik Allah, 2018) A film essay about Jamaican identity . Poetic, hypnotic, unsettling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546258373412-G2EGVGXA7X9UMJCQ7W8F/Blindspotting.jpg</image:loc>
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      <image:caption>Blindspotting (Carlos López Estrada, 2018) About racism, privilege, gentrification and appropriation of place and language in Oakland. Parts of the film I related to here in Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546258480549-9IHSW8D14VSY8RJDF3IE/Book+Club.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Book Club (Bill Holderman, 2018) This film made me laugh a lot. The entire cast is great, especially Candice Bergen and Andy Garcia. We also have Mary Steenburgen tap dancing to Meat Loaf. Extra points for including Roxy Music's More Than This in the soundtrack. The film has a couple of very bad digital effects, but never mind that.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259053925-NWZ0NP0Z0200U2GSDUCN/Bumblebee.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Bumblebee (Travis Knight, 2018) Travis Knight has made a Transformers film that is coherent and a film I unexpectedly cared for. It’s the 2010s E.T. but with more action and explosions which make sense, unlike the Bayhem versions we've had before.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259207063-A22N2YONEWSQAP0I31GA/Chained+for+Life.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Chained for Life (Aaron Schimberg, 2018) A film about representation and a response to the way people with disfigurements are portrayed in films. Challenging, funny and endearing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259258499-PUNNHBIIJVXESBUHNKZ3/Cold+War.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Cold War (Pawel Pawlikowski, 2018) Heartbreaking love story amidst political persecution. A story that goes through a couple of decades, yet, we only get glimpses of the changes in their lives and who they have become. Also, gorgeous black and white cinematography.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259344916-EF2RX9EQP0JR8L6LCQBP/Den+of+Theives.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Den of Thieves (Christian Gudegast, 2018) This is a good old fashioned gripping and entertaining police vs robbers heist film, where the cops are rough and the robbers are not what they appear to be. Gerard Butler really embraces his ‘gangster cop’ character in this.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259471546-EF5LSPXWOU8NS73JYI3K/Destination+Wedding.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Destination Wedding (Victor Levin, 2018) This had to be added on my list. It’s Keanu Reeves AND Winona Ryder together in a film again. Great verbal jabs between the two of them. When it’s funny, it’s hilarious, but when it’s not, it’s slightly grating. A film that is cynical with a sprinkle of hope. Keanu has the best lines and delivery, and I’d watch it again for that reason alone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259669237-V6L70O2JWKXTXN9CB5FJ/Dovlatov.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Dovlatov (Aleksey German, 2018) About artistic struggles in authoritarian society, it’s melancholic, yet hopeful. “We exist.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259860891-XIQ942Y5W32Q5NRS2QK4/The+Green+Fog.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Green Fog (Evan Johnson, Galen Johnson, Guy Maddin, 2018) Vertigo told through scenes from old TV shows/films. Brilliant and funny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546259939642-OZDD071I837AG9WN3GPF/Happy+as+Lazzaro.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Happy as Lazzaro (Alice Rohrwacher, 2018) A modern day fable about rural life, modernity, exploitation, and kindness. It’s beautiful, magical, hilarious. One key scene had the entire audience gasp.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260116213-SWZV2YX0FNX7RW8HNRTJ/Hotel+by+the+River.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Hotel By the River (Hong Sangsoo, 2018) The most linear Hong Sang-soo film I’ve seen, and also the saddest, because of the relationship between the father and his sons, which took a a sharp turn from comical to heartbreak.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260297735-5D01GFL6XNFHMRQZ4YQ2/If+Beale+Street+Could+Talk.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>If Beale Street Could Talk (Barry Jenkins, 2018) Tender, sensual, harsh, devastating. A story of many lives. Beautiful film, jazz and fashion. One of the best openings shots in film this year too.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260474621-96YAJ2PPONK8BDM35QQ4/Jawbone.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Jawbone (Thomas Napper, 2017) A boxing film that’s really about one man and his inner demons. Written by and starring Johnny Harris and based on true events in his life.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260578156-89ZXFGA4TF46WNGPPMAJ/John+McEnroe-+In+the+Realm+of+Perfection.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>John McEnroe: In the Realm of Perfection (Julien Faraut, 2018) A film about tennis and cinema, with a touch of rock opera. Made of 16mm films of McEnroe at Roland Garros, it's an observation based on Godard's quote, "Movies lie, not sports".</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260772217-XNK3QTX0F2ID39GAES3W/Last+Flag+Flying.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Last Flag Flying (Richard Linklater, 2017) A funny, moving, and scathing commentary on war and American imperialism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546260913858-QBPCYJ6L5KD6XA31WITX/Little+Forest%2BSoon-rye+Yim.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Little Forest (Soon-rye Yim, 2018) A delightful and lovely film that is a soothing tonic for the heart and soul. Will also leave you feeling very hungry.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546261100662-I2FKZ3HFIHG4M1D5BCOV/Long+Days+Journey+Into+Night+.png</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Long Day’s Journey Into Night (Bi Gan, 2018) One of my most anticipated films of 2018 because I loved Kaili Blues. It didn’t turn out to be as magical, but it does have a lot of connecting threads. I loved getting lost in Bi Gan’s themes of dreams, memories, loss, time, eternity, transitory.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546261533168-32CMXNE2Q9A0USIH8Y7L/Mama+Mia+Her+We+Go+Again.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Mamma Mia! Here We Go Again (Ol Parker, 2018) Say what you will about Abba or this film, but I laughed and teared up watching it. Watched it with my mum, her first visit to the cinema in decades, and seeing her enjoying it was priceless. Also, Andy Garcia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546262484645-TWMKMF3IZLLON9RVLBZH/Mission-+Impossible+-+Fallout+.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Mission: Impossible - Fallout (Christopher McQuarrie, 2018) My second favourite film from this franchise, after Brian De Palma’s Mission:Impossible. Great action scenes, it’s also funny and exhilarating.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546262057793-X2ENILQ0L7H8MGTNJQB9/The+Old+Man+and+the+Gun+.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Old Man and the Gun (David Lowery, 2018) This is such a quiet, charming and funny film. David Lowery has given us a film that feels like it was made in the late 1970s without feeling contrived. Robert Redford and Sissy Spacek flirting are a delight on the screen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546262315020-D2CXXWHN38HY5I5VYTTE/The+Post.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Post (Steven Spielberg, 2017) Another film about a powerful woman in long flow dresses (her body language and confidence changes when she’s wearing a kaftan compared to suit and a skirt). I’d also love to see Spielberg make a film just about the letterpress and newspaper printing. Those were my favourite scenes in the film.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546262585421-H5OIQ6MGADVN4X4QQ9YM/A+Prayer+Before+Dawn+.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>A Prayer Before Dawn (Jean-Stéphane Sauvaire, 2017) Compared to your average boxing film, this is a quiet, almost silent and claustrophobic film, and at times quite harrowing. There’s also an emphasis on rituals which is quite absorbing to watch.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546262870919-2ZCOIF838AIPQANSR8YH/Private+Life+.png</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Private Life (Tamara Jenkins, 2018) A well written, well acted, well directed film and one to add under Autumn/Winter in New York film list.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263002306-Z7WZVKXNCDI4AYRF3MNB/Ray+and+Liz_Richard+Billingham.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Ray &amp; Liz (Richard Billingham, 2018) A family portrait about poverty and neglect of family and state. The quiet moments are brutal. The details are so palpable, (the set design is recreated from Billingham's photos series).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263156047-ZBNGJVHISAQK6P3ZXA1Z/Roma_ice+cream+scene.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Roma (Alfonso Cuarón, 2018) Roma has created strong and interesting debates about it in terms of representation and privileged story telling. I find the film to be an indictment and an homage. Cuaron shows us that no matter how much Cleo is made to feel like she’s part of the family, the power and class dynamics always remain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263497876-44UPWF2AI3ZEQOOYAXHW/Shirkers.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Shirkers (Sandi Tan, 2018) A documentary about young ambitions, friendships and lost dreams. A young filmmaker’s dream to make a film, as an act of defiance and self expression. A film that was stolen and found after 20 years. A film about what could have been.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263567932-V8430514KV4ZREMYGDAR/The+Sisters+Brothers.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Sisters Brothers (Jacques Audiard, 2018) A western directed by a French man, filmed in Romania, a stellar cast, especially John C. Reilly. Also, Rutger Hauer. Takes unexpected turns with an ending that hit me harder than I anticipated.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263636132-WPPZGFB41A9S2USJKHE5/Sorry+to+Bother+You.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Sorry to Bother You (Boots Riley, 2018) Well written and well directed satire, a biting commentary on racism and morally corrupt corporations. I especially oved the scenes with Armie Hammer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263715887-6QN8JSRJBAIBUY6MXI4C/Spider-Man-+Into+the+Spider-Verse+.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Spider-Man: Into the Spider-Verse (Bob Persichetti,Peter Ramsey,Rodney Rothmans, 2018) Funny and emotionally engaging. Dazzling visuals and animation. Great soundtrack and score. Also, Nicholas Cage! It really is the best Spider-Man film.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263848039-Q8T8GZGDM2DU58LBECEX/Styx.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Styx (Wolfgang Fischer, 2018) About the indifference and dehumanisation of the refugee crisis. Minimal dialogue, gut wrenching. A well crafted film and Susanne Wolff is very good in this.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263907381-SB88EDK8LLTFXVTA7JSH/The+Tale.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Tale (Jennifer Fox, 2018) Constructed and repressed memories about sexual abuse. Disturbing, uncomfortable, but a must see.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546263998642-Q9QJYM2LH7CUMHT54KPD/Too+Late+to+Die+Young+.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Too Late to Die Young (Dominga Sotomayor Castillo, 2018) A beautiful coming of age film set in 1990 Chile. The framing made me think of Lucrecia Martel’s films. Demian Hernández is very good in this, especially her scenes in water, where she seeks solace and escape.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546264133284-YJFPERMY87O9TXQLX4J0/Transit.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Transit (Christian Petzold, 2018) The past and present merge in this conceptually different take on refugees, migration, state of transition, and mistaken identities. It’s a very good follow up (and companion piece) to Phoenix. I saw this in Berlinale, but since then not heard enough people talk about this film.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546264283411-YKQXJMV6BRKL7DN6U74U/Unsane.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>Unsane (Steven Soderbergh, 2018) About the corporatisation of the health system and women's safety against men. A topical psychological thriller that is claustrophobic, and at times gruesome.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1546264374120-NYHABN3CUTEJ7IO4RIG3/The+Wild+Pear+Tree.jpg</image:loc>
      <image:title>Home - Favourite New Films of 2018</image:title>
      <image:caption>The Wild Tree (Nuri Bilge Ceylon, 2018) A film that is rich with words and visuals. I particularly loved this autumn scene. About a man and his sense of worth as an artist.</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Christian Marclay The Clock 2010. Single channel video, duration: 24 hours © the artist. Courtesy White Cube, London and Paula Cooper Gallery, New York</image:title>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Christian Marclay The Clock 2010. Single channel video, duration: 24 hours Photographer: White Cube (Ben Westoby)</image:title>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Christian Marclay The Clock 2010. Single channel video, duration: 24 hours © the artist. Courtesy White Cube, London and Paula Cooper Gallery, New York</image:title>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Christian Marclay The Clock 2010. Single channel video, duration: 24 hours © the artist. Courtesy White Cube, London and Paula Cooper Gallery, New York</image:title>
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      <image:caption>Valley of the Gods, Utah, 1977 © Wim Wenders Courtesy Deutsches Filminstitut Frankfurt</image:caption>
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      <image:caption>Sigrid Neubert, Hans Maurer, Erdfunkstelle bei Raisting, 1970 © Staatliche Museen zu Berlin – Kunstbibliothek / Sigrid Neubert</image:caption>
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      <image:caption>Zoe Leonard (b. 1961)­, detail of New York Harbor I, 2016. Two gelatin silver prints, 21 × 17 1/8 in. (53.3 × 43.5 cm) each. Collection of the artist; courtesy Galerie Gisela Capitain, Cologne, and Hauser &amp; Wirth, New York</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Zoe Leonard (b. 1961), detail of You see I am here after all, 2008. 3,851 vintage postcards, 11 × 10 1/2 × 147 ft. (3.35 × 3.2 × 44.8 m) overall. Installation view, Dia: Beacon, Beacon, New York, 2008. Collection of the artist; courtesy Galerie Gisela Capitain, Cologne. Photograph by Bill Jacobson, New York</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Zoe Leonard (b. 1961)­, Untitled, 1989. Gelatin silver print, 9 3/4 x 7 in. (24.77 x 17.78 cm). Collection of the artist; courtesy Galerie Gisela Capitain, Cologne, and Hauser &amp; Wirth, New York</image:caption>
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      <image:caption>Zoe Leonard, Niagara Falls no.4, 1986/1991, Gelatin silver print, 37 ¾ x 25 5/8 in. (95.9 x 65.1 cm). Courtesy of the artist.</image:caption>
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      <image:caption>Lorna Simpson, Blue Wave, 2011. The Studio Museum in Harlem; gift of the artist on the occasion of the Romare Bearden (1911–1988) Centennial and the Bearden Project. © Lorna Simpson, courtesy the artist and Hauser &amp; Wirth</image:caption>
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      <image:caption>Mickalene Thomas, Angelitos Negros (detail), 2016. © Mickalene Thomas, Courtesy the artist and Artists Rights Society (ARS), New York.</image:caption>
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      <image:caption>Christina Fernandez, Untitled Multiple Exposure #7 (Bravo), 1999. © Christina Fernandez, Courtesy of the artist and Gallery Luisotti.</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Geta Brătescu, Autoportret în oglindă [Self-Portrait in the Mirror], 2001. © Geta Brătescu, Courtesy the artist; Ivan Gallery, Bucharest; Hauser &amp; Wirth. Photo: Ștefan Sava.</image:caption>
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      <image:caption>Installation image of "David Bowie is" at the Brooklyn Museum. Courtesy of the Brooklyn Museum/Jonthan Dorado</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Aqua Lung, 2018 Series of 35 blown glass objects made from sand obtained from a site of Jacques Cousteau's 1954 British Petroleum sponsored survey, dimensions variable</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Aqua Lung, 2018 Series of 35 blown glass objects made from sand obtained from a site of Jacques Cousteau's 1954 British Petroleum sponsored survey, dimensions variable</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Aqua Lung, 2018 Series of 35 blown glass objects made from sand obtained from a site of Jacques Cousteau's 1954 British Petroleum sponsored survey, dimensions variable</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018</image:title>
      <image:caption>Chronoscope, 1951, 11pm, 2011 (video still) Single channel HD video projection, 25 min, stereo sound, screenplay booklets and furniture set</image:caption>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Dave Heath, Washington Square, New York, 1960 © Dave Heath / Courtesy Howard Greenberg Gallery, New York, et Stephen Bulger Gallery, Toronto</image:title>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Dave Heath, Washington Square, New York, 1960 © Dave Heath / Courtesy Howard Greenberg Gallery, New York, et Stephen Bulger Gallery, Toronto</image:title>
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      <image:title>Home - Favourite Art Works, Exhibitions, Events and Performances of 2018 - Dave Heath, New York, 1960 © Dave Heath / Courtesy Howard Greenberg Gallery, New York, et Stephen Bulger Gallery, Toronto</image:title>
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      <image:title>Home - Cinema Akil - Opening Programme</image:title>
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      <image:title>Home - Cinema Akil - Opening Programme</image:title>
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    <priority>0.5</priority>
    <lastmod>2025-03-29</lastmod>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Read Yassin, The Exhibition #8, from ͞Warhol Of Arabia͟ series, 2016 | Archival inkjet printed on fine art paper | 100 X 145 cm | Courtesy of the artist</image:caption>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Frank Bowling, Dog Daze (A to A), 1971 | Diptych; acrylic and spray paint on canvas | 273.6 x 492 cm | Private Collection, Germany</image:caption>
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      <image:caption>Ala Younis, Nefertiti, 2008, detail view | Sewing machines, wood, single-channel video; dimensions variable, 11 minutes 30 seconds | Courtesy the artist | Photo by: Tarek Hefny</image:caption>
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      <image:caption>Sheikha Al Mazrou, Cast Documents, 2018. Brass, copper, iron and aluminum, 21.0 x 29.7 x 10 cm each. Commissioned by Sharjah Art Foundation. Courtesy of the artist.</image:caption>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Lana Bùi, good infinity, bad infinity, 2018. 3-channel video installation, 13 minutes 45 seconds. Commissioned by Sharjah Art Foundation. Courtesy of the artist.</image:caption>
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      <image:caption>Barış Doğrusö. Holding Pattern I, 2018. 3-channel video installation, 8 minutes. Commissioned by Sharjah Art Foundation. Courtesy of the artist.</image:caption>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Hind Mezaina and Tulip Hazbar. Last Days of Disco, 2018. Mixed media, dimensions variable. Commissioned by Sharjah Art Foundation. Courtesy of the artists.</image:caption>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Amman Zedani, non-human-assembly, 2018 | Biofilms, community of bacteria and yeasts, lavender, roselle, melissa, chamomile, coffee husk, chaste tree, tea, mixed flowers, red rose and black cardamom | dimensions variable | Commissioned by Sharjah Art Foundation | Courtesy of the artist.</image:caption>
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      <image:title>Home - Sharjah Art Foundation - Autumn 2018 Exhibition Programme</image:title>
      <image:caption>Amal Kenawy, You Will Be Killed, 2006 | Video animation &amp; paintings, dimensions variable | Courtesy of the Amal Kenawy Estate and Darat al Funun – The Khalid Shoman Foundation</image:caption>
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    <lastmod>2025-03-29</lastmod>
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      <image:caption>Africa Hall, Sharjah, 2018. Image courtesy of The Africa Institute</image:caption>
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    <loc>https://www.theculturist.com/home/the-badlands-collective-present-elaine-may</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1537133124314-L9G7ZGP4Z10NTVGPK76H/Elaine+May.jpg</image:loc>
      <image:title>Home - The Badlands Collective Film Screenings - Painfully Funny: The Complete Directorial Works of Elaine May</image:title>
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      <image:title>Home - The Badlands Collective Film Screenings - Painfully Funny: The Complete Directorial Works of Elaine May</image:title>
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      <image:title>Home - The Badlands Collective Film Screenings - Painfully Funny: The Complete Directorial Works of Elaine May</image:title>
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      <image:title>Home - The Badlands Collective Film Screenings - Painfully Funny: The Complete Directorial Works of Elaine May</image:title>
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      <image:title>Home - The Badlands Collective Film Screenings - Painfully Funny: The Complete Directorial Works of Elaine May</image:title>
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  <url>
    <loc>https://www.theculturist.com/home/2018/9/14/michael-jacksons-thriller-on-imax</loc>
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    <priority>0.5</priority>
    <lastmod>2025-03-29</lastmod>
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    <loc>https://www.theculturist.com/home/rip-rachid-taha</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536950842322-1AIDB1SR22PVX32VO8YL/Rachid+Taha.png</image:loc>
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    <loc>https://www.theculturist.com/home/interview-with-joseph-fahim-about-safar-2018-and-arab-film-heritage</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535894430766-OTIGL7NII21L0224ENKN/SAFAR+FILM+FESTIVAL+2018.png</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage</image:title>
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      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - THE SEARCH / El Tareeq + Q&amp;A with curator Joseph Fahim | Dir.  Hossam El Din Moustafa | Egypt | 1964 | 105 min</image:title>
      <image:caption>September 13 at 8:30pm, ICA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361060900-1HL7JF41AKG2DICCXROB/STORIES%2BOF%2BPASSERS%2BTHROUGH_SAFAR%2B2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - STORIES OF PASSERS THROUGH + Q&amp;A with Koutaiba Al Janabi and curator Joseph Fahim | Dir. Koutaiba Al Janabi | Iraq | 2018 | 67 min</image:title>
      <image:caption>September 14 at 6pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361056638-PKAGPTL8PD9U1XNN3X6W/Poisonous+Roses_Safar+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - Poisonous Roses + Q&amp;A with Ahmed Fawzi Saleh | Dir. Ahmed Fawzi Saleh | Egypt | 2018 | 70 min</image:title>
      <image:caption>September 14 at 8:30pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361056409-WJ30ZSH1TQN7ZYVTS3C4/SCHEHERAZADE%E2%80%99S+DIARY_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - SCHEHERAZADE’S DIARY/Yawmiyat Scheherazade + Q&amp;A with curator Joseph Fahim | Dir. Zeina Daccache | Lebanon | 2013 | 78 min</image:title>
      <image:caption>September 15 at 2pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361052089-O4SAM4I43QIUD3ZPQK5Z/IN+THE+LAND+OF+TARARANNI_SAFAR+2018.png</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - IN THE LAND OF TARARANNI + Q&amp;A with curator Joseph Fahim | Dir. Férid Boughedir, Hamouda Ben Halima, and Hédi Ben Khalifa | Tunisia | 1973 | 120 min</image:title>
      <image:caption>September 15 at 4pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361043164-T5ZYALWCDA63GS131KV5/STILL+BURNING_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - STILL BURNING/Nar Min Nar + Q&amp;A with director Georges Hachem and curator Joseph Fahim | Georges Hachem | Lebanon | 2016 | 110 min</image:title>
      <image:caption>September 15 at 6pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361043984-RL0WV3FOSVJ58BSCTTJT/WAJIB_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - WAJIB + Q&amp;A with director Annemarie Jacir | Dir. Annemarie Jacir | Palestine | 2017 | 96 min</image:title>
      <image:caption>September 15 at 8.30pm, Institut Français</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361041429-45V8XI2KB7EF2R1I2UNS/SHORT+FILM+PROGRAM_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - SHORT FILM PROGRAMME + Q&amp;A with curator Joseph Fahim</image:title>
      <image:caption>LILI | Marwan Hamed | 2001 | Egypt | 40 min HER MAN | Ayten Amin | 2006 | Egypt | 10 min I | Al Al Anssari | 2012 | Qatar | 17 min A MAN IN A CUP | Yahya Alabdallah | 2006 | Jordan | 5 min September 16 at 2pm, ICA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536362781069-K1614T7HTAFE7OKEFAEB/Fallen+Angels+Paradise_SAFAR+2018_.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - FALLEN ANGELS PARADISE/Gannat Al Shayateen + Q&amp;A with director Oussama Fawzi and curator Joseph Fahim | Dir. Oussama Fawzi | Egypt | 1999 | 79 min</image:title>
      <image:caption>September 16 at 4pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361040473-G5Y8YCEZT6GES1TSVDZE/Opium+and+the+Baton_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - OPIUM AND THE BATON/L’Opium et le Baton + Q&amp;A with director Ahmed Rachedi and curator Joseph Fahim | Dir. Ahmed Rachedi | Algeria | 1977 | 135 min</image:title>
      <image:caption>September 16 at 6pm, ICA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361039316-95X9V004C59AG1HK87UQ/HORSES+OF+GOD_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - HORSES OF GOD/Les Chevaux des Dieu + Q&amp;A with author Mahi Binebine and curator Joseph Fahim |Dir. Nabil Ayouch | Morocco | 2012 | 115 min</image:title>
      <image:caption>September 17 at 8:30pm, Institut Français</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361039801-HJLEGHARAC07TCGPKQAE/AL+ARD_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - THE LAND / El Ard + Q&amp;A with curator Joseph Fahim | Dir. Youssef Chahine | Egypt | 1969 | 130 min</image:title>
      <image:caption>September 18 at 8:20pm, Institut Français</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536361120471-OAR94YNABFIMMI3DTJ54/The+Dupes_SAFAR+2018.jpg</image:loc>
      <image:title>Home - Interview with Joseph Fahim about SAFAR 2018 and Arab Film Heritage - THE DUPES  | Tewfik Saleh | Syria | 1972 | 107 mins</image:title>
      <image:caption>September 19 at 6:00 pm to 9:00 pm at King’s College London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theculturist.com/home/2018/9/7/rip-burt-reynolds</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536319427504-V5JS1F2HVQDXI2MXI5H2/Burt+Reynolds.jpg</image:loc>
      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Photo by ABC Photo Archives - © 2010 American Broadcasting Companies, Inc. - Image courtesy gettyimages.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536319428404-34V6C73Z14J46NDCIHZL/Burt+Reynolds_1967_The+Carol+Burnett+Show.jpg</image:loc>
      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds and Harvey Korman at an event for The Carol Burnett Show (1967). Photo by CBS Photo Archive - © 2010 CBS WORLDWIDE INC - Image courtesy gettyimages.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536319429756-DB12JVJ79BCK4N8144F0/Burt+Reynolds_1972_Deliverance.jpg</image:loc>
      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds in Deliverance (1972)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds and Sally Field in Smokey and the Bandit (1977)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds and Lesley-Anne Down in Rough Cut (1980)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1536319432633-N07RLHJ5AHQV8V81XVGQ/Burt+Reynolds_1981_Paternity.jpg</image:loc>
      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds in Paternity (1981)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds in The Best Little Whorehouse in Texas (1982)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds and Clint Eastwood in City Heat (1984)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds in Malone (1987)</image:caption>
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      <image:title>Home - RIP Burt Reynolds</image:title>
      <image:caption>Burt Reynolds and Ariel Winter in Dog Years (2017)</image:caption>
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  </url>
  <url>
    <loc>https://www.theculturist.com/home/2018/9/2/ana-arab-cinema</loc>
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    <lastmod>2025-03-29</lastmod>
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  <url>
    <loc>https://www.theculturist.com/home/ingmar-bergman-series-at-cinema-space</loc>
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    <priority>0.5</priority>
    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535838036272-19OHAUC67Z0VPG3QPVSY/Summer+with+Monika_Cinema+Space_2018.jpg</image:loc>
      <image:title>Home - Ingmar Bergman Series at Cinema Space - Summer with Monika (1953)</image:title>
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      <image:title>Home - Ingmar Bergman Series at Cinema Space - The Seventh Seal (1957)</image:title>
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      <image:title>Home - Ingmar Bergman Series at Cinema Space - Fanny and Alexander (1982)</image:title>
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      <image:title>Home - Ingmar Bergman Series at Cinema Space - Autumn Sonata (1978)</image:title>
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  <url>
    <loc>https://www.theculturist.com/home/the-culturist-makeover</loc>
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  <url>
    <loc>https://www.theculturist.com/home/2018/8/31/dubais-modern-heritage-initiative</loc>
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      <image:title>Home - Dubai's Modern Heritage Initiative</image:title>
      <image:caption>An aerial view of Dubai World Trade Centre on Shaikh Zayed Road, Dubai, circa 1980s. Image via Gulf News.</image:caption>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Phoenicia Hotel (1970s)</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Nasser Rashid Lootah Building (1974)</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Emirates NBD, Bur Dubai (1970s)</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Emirates NBD, Baniyas Road</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Sheraton Dubai Creek (1978)</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Radisson Blu, Deira Creek (prev. Dubai Intercontinental), 1975</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Dubai Tower and Deira Tower (1980s)</image:title>
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      <image:title>Home - Dubai's Modern Heritage Initiative - Sheikh Rashid Building (1980s)</image:title>
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      <image:caption>Paula Beer, Franz Rogowska | Transit, Christian Petzold, 2018 © Schramm Film / Marco Krüger</image:caption>
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      <image:caption>11 x 14, James Benning, 1977 Austrian Film Museum © James Benning</image:caption>
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      <image:caption>The Green Fog, Guy Maddin, Evan Johnson, Galen Johnson, 2018</image:caption>
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      <image:caption>Photo by Hind Mezaina</image:caption>
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      <image:caption>Christina Fernandez, Untitled Multiple Exposure #7 (Bravo), 1999. © Christina Fernandez, Courtesy of the artist and Gallery Luisotti.</image:caption>
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      <image:caption>Gina Osterloh, Press and Outline, 2014. 16mm film, silent, 5:30 min. © Gina Osterloh, Courtesy the artist, Ghebaly Gallery, Los Angeles; Higher Pictures, New York; and Silverlens, Manila.</image:caption>
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      <image:caption>Lorna Simpson, Blue Wave, 2011. Collage and ink on paper, 11 x 8 1/2 in. (28 x 21.6 cm). The Studio Museum in Harlem; gift of the artist on the occasion of the Romare Bearden (1911–1988) Centennial and the Bearden Project. © Lorna Simpson, courtesy the artist and Hauser &amp; Wirth.</image:caption>
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      <image:caption>Hell or High Water</image:caption>
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      <image:caption>Photo courtesy of the Salama Bint Hamdan Al Nahyan Foundation</image:caption>
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      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Ahmed Hasan Mohamed created five "conceptual portraits", each piece reflecting a memory of his life</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534959816629-X31ZHZL6L5BQ9Z6HPNHG/Amal%2BAl%2BKhaja_02_SEAF.jpg</image:loc>
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      <image:caption>Amal Al Khaja's Self Disciplining Act, asks herself what her role is in the community.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534959816666-5FG1JFSSSI9RF1A9657Q/Asma%2BYousef%2BAlahmed_SEAF.jpg</image:loc>
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      <image:caption>Asma Yousef Alahmed addresses the role of the mountains in the UAE, "treated as a resource rather than a place".</image:caption>
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      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Fatima Albudoor's work revolves around fiction and reality, relationships, the self and transient experiences in life.</image:caption>
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    <image:image>
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      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Fatima Albudoor's work revolves around fiction and reality, relationships, the self and transient experiences in life.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534959978599-7LAD6O2WOSDMB08AD8D5/Fatima%2BYousef_03_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Fatima Yousef Al Yousef's photo series deals with the death of her sister to cancer and it's impact on family and friends.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960048070-JBABNPBZIKGX3I97CA72/Ghaleya%2BAlMansoori_01_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Ghaleya AlMansoori's Chain Reaction is about the her dealing with coming from a conservative family and her place in the art world.</image:caption>
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    <image:image>
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      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Lina Younes' work looks at world as a pyramid scheme, hierarchies, single and multiple entities</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960120834-EB6C4ME7NXZWREELV4GI/Lina%2BYounes_03_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Lina Younes' work looks at world as a pyramid scheme, hierarchies, single and multiple entities</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534959978596-TPR391OAWGPIA61I1F3O/Fatima%2BYousef_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Fatima Yousef Al Yousef's photo series deals with the death of her sister to cancer and it's impact on family and friends.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534959980437-DDK7Q7NIIEQA349Y1LIM/Fatima%2BYousef_01_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Fatima Yousef Al Yousef's photo series deals with the death of her sister to cancer and it's impact on family and friends.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960120653-JVT6G6NDUGUOFV6MROFM/Lina%2BYounes_04_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Lina Younes' work looks at world as a pyramid scheme, hierarchies, single and multiple entities</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960180965-KV9ITX2DJTZ4ZYK8AM9L/Nasser%2BAlzayani_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Nasser Alzayani's Watering the Distant, Deserting the Near is about a dried up natural spring in Bahrain and the memories attached to it.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960359807-SCUQCVM8RQ018Q7XO0FL/Rania%2BJishi_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Rania Jishi's The Visit, is a video installation that looks at "Salon Marriages" and the rituals of these visits that are about finding potential brides, predominantly in the Levant region.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960494218-IU5HJJ4WIV6Q3HY6KUVP/Raudha%2BAl%2BGhurair_03_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Raudha Al Ghurair's Vessels explores different modes and relationships of containment.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960495458-LVW2L5D55CEQ7MHP9Q94/Raudha%2BAl%2BGhurair_01_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Raudha Al Ghurair's Vessels explores different modes and relationships of containment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960493689-Y3X4RA74UDVJ600PPNJY/Raudha%2BAl%2BGhurair_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Raudha Al Ghurair's Vessels explores different modes and relationships of containment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960580097-5FSGZR99D9498QGC6JE7/Sawsan%2BAl%2BBahar_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Sawsan Al Bahar's Self Portrait is about the state of existence and notions of self.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960641236-OWY4QMCKA9ZGDQFBRM3M/Sawsan%2BAl%2BBahar_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Sawsan Al Bahar's Self Portrait is about the state of existence and notions of self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960693895-22FN1R7FQVIY29QH10YG/Sham%2BEnbashi_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Sham Enbashi's When I Met Myself, photo series is inspired by Jorge Luis Borges' Labyrinths and questions what if there are two of you and what happens if you cross path with your other self at different stages of life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960693846-U5JFKKNH4AEYMHNFJX2O/Sham%2BEnbashi_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Sham Enbashi's When I Met Myself, photo series is inspired by Jorge Luis Borges' Labyrinths and questions what if there are two of you and what happens if you cross path with your other self at different stages of life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960743636-A0Z6IQFLOYKL1YRDRMK4/Tala%2BWorrell_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Tala Worrell's Chameleons is about "non-humans we anthropomorphise in order to see our humanity with great clarity".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960793145-QDF9C8I3R2YDA3GLW0ZB/Tima%2BOuzden_03_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Tima Ouzden's Paradise Lost, looks at the concepts of "jannah" (paradise) in both physical and spiritual realms, and the aesthetics of terrorism.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960890322-CHCXV9CSTV7CUOJZWC7W/Zahra%2BJewanjee_01_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Zahra Jewanjee's work looks at marginalised societies, gender, geometry, chaos and order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960888796-FHX37ZS1NFEWBRVMEYME/Zahra%2BJewanjee_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Zahra Jewanjee's work looks at marginalised societies, gender, geometry, chaos and order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960884837-CQFX4I9I1IG6KBDMTJ0L/Zahra%2BJewanjee_03_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Zahra Jewanjee's work looks at marginalised societies, gender, geometry, chaos and order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960796914-S1LNXZTRE6T2LAQ6P7NZ/Tima%2BOuzden_01_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Tima Ouzden's Paradise Lost, looks at the concepts of "jannah" (paradise) in both physical and spiritual realms, and the aesthetics of terrorism.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960792782-2KCTI2ASL9PL251K6ZVY/Tima%2BOuzden_02_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Tima Ouzden's Paradise Lost, looks at the concepts of "jannah" (paradise) in both physical and spiritual realms, and the aesthetics of terrorism.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1534960884395-Z8XH66G8S4UC8N7RKVXT/Zahra%2BJewanjee_04_SEAF.jpg</image:loc>
      <image:title>Home - Sheikha Salama Foundation Emerging Artist Fellowship - Cohort 3</image:title>
      <image:caption>Zahra Jewanjee's work looks at marginalised societies, gender, geometry, chaos and order.</image:caption>
    </image:image>
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      <image:caption>Zahed Sultan</image:caption>
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      <image:title>Home - Cinema at The Space - August 2016</image:title>
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      <image:title>Home - Paris Diary - Harry Gruyaert at Maison Européenne de la Photographie</image:title>
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      <image:title>Home - Paris Diary - Taryn Simon and Florence Henri Exhibitions at Jeu de Paume</image:title>
      <image:caption>Exploding Warhead (2007) shows a test of an MK-84 IM (Insensitive Munition) Warhead conducted at the Eglin Air Force Base Air Armament Center, in Florida. The Air Armament Center is responsible for the development, testing and deployment of all U.S. air-delivered weapons. This film was taken using a remote sequencer that detonated the warhead from a control bunker.</image:caption>
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      <image:caption>Cutaways (2012), is an absurdist video resulting from a Kafkaesque moment when Simon was being interviewed for Prime Time Russia, a show on the Moscow-based news channel Russia Today. The two presenters, sitting across from Simon, asked her to remain silent for several minutes and stare at them while the scene was filmed for cutaway editing material.</image:caption>
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      <image:title>Home - Sharjah's Bank Street and Heritage Area</image:title>
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      <image:title>Home - Sharjah's Bank Street and Heritage Area</image:title>
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      <image:title>Home - Sharjah's Bank Street and Heritage Area</image:title>
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      <image:title>Home - Sharjah's Bank Street and Heritage Area</image:title>
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      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Bank Street in Sharjah</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046357043-CDYRPS1GQGA611SSC13L/02_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2214.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>View of Heritage Area from one of the building rooftop on Bank Street</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046356238-2SIZ2G1XHYBRSIVREPT6/03_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2226.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>View of some of the iconic buildings on Bank Street from one of the building rooftop on Bank Street. This side of the street has my favorite buildings.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046355183-QYJIZ3MU0KKU5OIOQ170/04_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2194.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>View of the other side of the street and another block of iconic buildings on Bank Street from one of the building rooftop on Bank Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046354030-2OQNLAJ4PEYSU52DY8WB/05_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2220.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Failed Architecture team (Michiel van Iersel, René Boer and Mark Minkjan) looking at Bank Street</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046353188-MADEHU36GN8R4ASV2VFC/06_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2259.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Al Hisn (The Fort) that is between the two blocks of buildings on Bank Street. The building with the orange banner was one of venues for the 11th Sharjah last year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046352356-ZUTEXY11WBS3C43F690U/07_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2244.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>List of artists that had work exhibited in this building at the Sharjah Biennial last year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046351293-0XXQTABWATXZS2FQCPXG/08_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2239.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>The building has been evacuated and waiting to be demolished</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046350601-KOEK69DPUQDOQPUIIV83/09_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2230%2B2.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Signs showing the bank has moved to a more 'prestigious' area</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046349993-FV5J30R1RRWTD42ACE88/10_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2240.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>I really do love the shape of this building</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046348732-P1RC0N1UU3PLKDND5MPM/11_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2228.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>One pair of the buildings on one side of Bank Street</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046348734-WDC72763UE5WROABIMLD/12_Failed%2BArchitecture%2BWorkshop_Bank%2BStreet_IMG_2265.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Another pair on the other side of Bank Street (I prefer this design)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046827551-ZXPXVCHMIB7865HQJ4GH/Failed%2BArchitecture_IMG_2117.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Model of what the new Heart of Sharjah will look like in 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046890106-5ZFDR76CUW36ZLR0S0PA/Failed%2BArchitecture_Heritage%2BArea_IMG_2124.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Heart of Sharjah logo in Arabic</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046888906-WCKWGAKACK0ZHXPWX7DT/Failed%2BArchitecture_Heritage%2BArea_IMG_2132.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Signs in Heritage Area</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046888256-PEJ6V0R235F96W6AY240/Failed%2BArchitecture_Heritage%2BArea_IMG_2145.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>One of the buildings in the Heritage Area that is getting restored, it is dated 1363 HIjri (Islamic) Calendar,around 1943 Gregorian calendar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046886205-W7P4WLOIR0GIOPJEAYHM/Failed%2BArchitecture_Heritage%2BArea_IMG_2146.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Another original building that is being restored, this house is called Majlis Al Midfaa and has a unique looking round (and slightly leaning) windtower</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535046887637-DY2961WMV1K5KBUHEOZ8/Failed%2BArchitecture_Heritage%2BArea_IMG_2151.jpg</image:loc>
      <image:title>Home - Failed Architecture Workshop about Bank Street in Sharjah</image:title>
      <image:caption>Coral that was used to build these old homes. Only a few buildings that were built with coral are left in the Heritage Area</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535163018231-1C5FDS1I38LYPWZ54I26/Bahman%2BJalili_Image%2Bof%2BImagination.png</image:loc>
      <image:title>Home - The Young Collectors Auction at Ayyam Gallery - Bahman Jalili - 'Image of Imagination' Signed, Dated, Numerated 43 X 43 cm. Colour Coupler Print (Edition 4/5) 2004 Estimate (US$ 2,000 - 3,000)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535163016572-RMB5LW1PC03CK0V9W3WX/Lara%2BZankoul_Drown%2Bin%2Bdreams.png</image:loc>
      <image:title>Home - The Young Collectors Auction at Ayyam Gallery - Lara Zankoul - 'Drown in dreams' Signed, Dated 80 X 80 cm. Archival Print on Cotton Paper (Edition 1/5) 2011 Estimate (US$ 1,500 - 2,500)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535163012612-OE7JGSU3R573J9SANMUJ/Mohamed%2BBadr_Prayer%2Bof%2BLight.png</image:loc>
      <image:title>Home - The Young Collectors Auction at Ayyam Gallery - Mohamed Badr - Prayer of Light' Signed, Dated 80 X 119 cm. Archival Print on Cotton Paper (Edition 1/5) 2011 Estimate (US$ 2,500 - 3,500)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535163009697-VGHNRROPKM2OXAQJ6QPE/Nijad%2BAbdul%2BMassih_Shooting%2BGas.png</image:loc>
      <image:title>Home - The Young Collectors Auction at Ayyam Gallery - Nijad Abdul Massih - 'Shooting Gas' Signed, Dated 120 X 200 cm. Photographic Print on Light Box 2011 Estimate (US$ 7,000 - 8,000)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535163008572-QM6GU79ULLQUNBY9PPBN/Rodin%2BHamidi_Nostalgia_Mega%2BCape.png</image:loc>
      <image:title>Home - The Young Collectors Auction at Ayyam Gallery - Rodin Hamidi - 'Nostalgia from serie Mega Cape (Tehran)' Signed, Dated, Numerated 100 X 150 cm. Print on Wood Panel (Edition 4/7) 2007 Estimate (US$ 2,500 - 3,500)</image:title>
      <image:caption />
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      <image:title>Home - Space Forward by Birgit Graschopf at Carbon 12 - "1" Gelatin silver print, 109x114 cm. 2006</image:title>
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    <image:image>
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      <image:title>Home - Space Forward by Birgit Graschopf at Carbon 12 - "2" Gelatin silver print, 109x114 cm. 2006</image:title>
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      <image:title>Home - Space Forward by Birgit Graschopf at Carbon 12 - "3" Gelatin silver print,109x114 cm. 2006</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Home - Space Forward by Birgit Graschopf at Carbon 12 - "4" Gelatin silver print, 109x114 cm. 2006</image:title>
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      <image:title>Home - New year happiness</image:title>
      <image:caption>© Hind Mezaina</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241116948-RKHTRK4NYK7TCE1SJE0F/Vincent%2BFournier%2B-%2BGeneral%2BBoris%2BV.%2BNaidvonov.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Vincent Fournier - General Boris V. Naidvonov wearing the Russain Sapce suit Sokol. Star City, Youri Gagarine Cosmonaut Center, Chtchiolkovo, Russia, November 2007.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241113014-RO85BKQS4YT5ZJJUIL8M/Vincent%2BFournier%2B-%2BBaikonur%2BCity%2B02.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Vincent Fournier - Baikonur City # 02, International School of Space, Kazakhstan, 2011.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241110684-THVLQ1Y4KSH2TCANT6Y4/Vincent%2BFournier%2B-%2BMars%2BDesert%2BResearch%2BStation.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Vincent Fournier - Mars Desert Research Station, Team 54, Hanksville, Utah, USA, November 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241103835-EE16ICKIJPP04VFFJB46/Vincent%2BFournier%2B-%2BSpace%2BHelmet.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Vincent Fournier - Space Helmet. Extravehicular Visor Assembly. John F. Kennedy Space Center, Florida 2011.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241104297-I6O14IYBOHU27C4AJ5KG/Vincent%2BFournier%2B-%2BSvalbard%2BSatellite%2BStation%2B3.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Vincent Fournier - Svalbard Satellite Station # 03, Longyearbeen. Svalbard, Norway, March 2010.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241279935-5FMV3S2ZYJAXQL7LWGIM/Jan%2BKempenaers%2B-%2BSpomenik%2B1.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Jan Kempenaers - Spomenik # 1 (Podgaric)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241275393-8U1RO6FW72B954DA6L1S/Jan%2BKempenaers%2B-%2BSpomenik%2B5.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Jan Kempenaers - Spomenik # 5 (Krusevo)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535241274929-3KFZTNC5CN57MXCU0R8C/Jan%2BKempenaers%2B-%2BSpomenik%2B9.png</image:loc>
      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Jan Kempenaers - Spomenik # 9 (Jasenovac)</image:caption>
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      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Jan Kempenaers - Spomenik # 19 (Mitrovica)</image:caption>
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    <image:image>
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      <image:title>Home - Third Rock from the Sun at The Empty Quarter</image:title>
      <image:caption>© Jan Kempenaers - Spomenik # 26 (Zenica)</image:caption>
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      <image:caption>© Jalal Abuthina</image:caption>
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      <image:caption>hotography by Christian Witkin (via Vanity Fair)</image:caption>
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      <image:caption>© Hind Mezaina - Shakespeare and Company, Paris (November 2011)</image:caption>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - Outside Shakespeare and Company. An adorable bench.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535243303013-N2YAV7WE4QDWJ8JBYAO5/Shakespeare%2Band%2BCompany_Hind%2BMezaina%2B5.jpg</image:loc>
      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company - © Hind Mezaina - Outside Shakespeare and Company.</image:title>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - The sign that welcomes everyone to Shakespeare and Company.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535243498984-GTDVH6MYZNCNF2J7M569/Shakespeare%2Band%2BCompany_Hind%2BMezaina%2B7.jpg</image:loc>
      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - Inside Shakespeare and Company. One of my favourite things - vintage typewriters. They make me go weak at the knees.</image:caption>
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    <image:image>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - A reading room inside Shakespeare and Company. People can play on the piano if they like.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535243582372-VCKPPY73QYXUI2I66LGL/Shakespeare%2Band%2BCompany_Hind%2BMezaina%2B9.jpg</image:loc>
      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - Inside Shakespeare and Company in the reading room.</image:caption>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - Inside Shakespeare and Company in the reading room. Yes, someone actually played on the piano. I wanted to hug him. But I didn't...</image:caption>
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    <image:image>
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      <image:title>Home - RIP George Whitman, owner of Paris bookstore Shakespeare and Company</image:title>
      <image:caption>© Hind Mezaina - Inside Shakespeare and Company in the reading room, during the poetry reading session.</image:caption>
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      <image:caption>© Ina Marie Winther Åshaug</image:caption>
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    <image:image>
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      <image:title>Home - Exhibition - Traces by Jaber Al Azmeh at Green Art Gallery</image:title>
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  <url>
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    <loc>https://www.theculturist.com/home/trailer-tuesday-bollywood-the-greatest-story-ever-told.html</loc>
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  <url>
    <loc>https://www.theculturist.com/home/loaded-just-good-music.html</loc>
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      <image:title>Home - All about Deira</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535213651113-J1DIG3HKT2BU6LGCSJQT/Todd%2BReisz_Deira%2B2.jpg</image:loc>
      <image:title>Home - All about Deira</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535213641285-FJEEV4M9EYU1SVJYEJAQ/Todd%2BReisz_Deira%2B6.jpg</image:loc>
      <image:title>Home - All about Deira</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535213641278-2Q59EHV1T76172QNQSAC/Todd%2BReisz_Deira%2B5.jpg</image:loc>
      <image:title>Home - All about Deira</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535213649544-S8PD4QLOXKT3ZUWHLZH9/Todd%2BReisz_Deira%2B4.jpg</image:loc>
      <image:title>Home - All about Deira</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535213649770-506OY32KNZRFG52VDDAN/Todd%2BReisz_Deira%2B3.jpg</image:loc>
      <image:title>Home - All about Deira</image:title>
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  <url>
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  <url>
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  <url>
    <loc>https://www.theculturist.com/home/music-monday-sweet-sweet-moon.html</loc>
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    <lastmod>2025-03-29</lastmod>
  </url>
  <url>
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    <lastmod>2025-03-29</lastmod>
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      <image:title>Home - Slidefest V - 11th May 2011 - © Philip Cheung</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535214592307-SB2LACWXWTNURVJ3WASD/Aisha%2BAl%2BQasimi_Million%2BFaces.jpg</image:loc>
      <image:title>Home - Slidefest V - 11th May 2011 - © Aisha Al Qasimi</image:title>
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    <image:image>
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      <image:title>Home - Slidefest V - 11th May 2011 - © UBIK</image:title>
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      <image:title>Home - Slidefest V - 11th May 2011 - © Raja'a Khalid</image:title>
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    <image:image>
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      <image:title>Home - Slidefest V - 11th May 2011 - © Catalin Marin</image:title>
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    <lastmod>2025-03-29</lastmod>
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  <url>
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    <lastmod>2025-03-29</lastmod>
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  <url>
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      <image:title>Home - RIP Chris Hondros and Tim Hetherington</image:title>
      <image:caption>Chris Hondros (left) and Tim Hetherington (right)</image:caption>
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  <url>
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      <image:title>Home - Like Coral, I Create Clouds by Noor Al Suwaidi</image:title>
      <image:caption>© Noor Al Suwaidi. Dreamers Meet, 2011. Image courtesy of Newertown.</image:caption>
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    <image:image>
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      <image:title>Home - Like Coral, I Create Clouds by Noor Al Suwaidi</image:title>
      <image:caption>© Sueraya Shaheen, The Artist in her Studio, Abu Dhabi 2011. Image courtesy of Newertown | Art.</image:caption>
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  <url>
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    <lastmod>2025-03-29</lastmod>
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  <url>
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  <url>
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    <lastmod>2025-03-29</lastmod>
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  <url>
    <loc>https://www.theculturist.com/home/gulf-film-festival-2011-international-shorts-competition.html</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535206659592-DUNFLOPPAZRETX8K73FG/Casus%2BBelli_Yorgos%2BZois.jpg</image:loc>
      <image:title>Home - Gulf Film Festival 2011 - International Shorts Competition</image:title>
      <image:caption>Still from Casus Belli</image:caption>
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  <url>
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    <lastmod>2025-03-29</lastmod>
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  <url>
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    <lastmod>2025-03-29</lastmod>
    <image:image>
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      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Rana Javadi, Untitled,from the series When you were dying, 2011 (Estimate: $2,000 - 4,000, AED 7,300 - 15,000)</image:caption>
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    <image:image>
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      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Afsoon, Googoosh, from the series Fairytale Icons, 2010 (Estimate: $3,000 - 4,000, AED 11,000 - 15,000)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207016051-JFBJ7K84CQCVRDW9PGSR/Camille%2BZakharia_Hut%2B17%2BKarzakhan.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Camille Zakharia, 'Hut 17 Karzakhan' from the Coastal Promenade series, 2010 ( Estimate: $3,000 - 5,000, AED 11,000 - 18,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207016305-TBN19D2TNYU7ZL4GKEWO/Nazif%2BTopcuoglu_Consolation.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Nazif Topcuoglu, Consolation, 2009 (Estimate: $14,000 - 18,000, AED 51,000 - 66,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207016914-ACHFTC3R5G8QEI48NKMS/Ziad%2BAntar_Coral%2BBeach.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Ziad Antar, Coral Beach, 2007 (Estimate: $6,000 - 8,000, AED 22,000 - 29,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207017821-S5XSTELIQHC09N9860MM/Bahman%2BJalali.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Bahman Jalali, Untitled, 2007 ( Estimate: $8,000 - 10,000, AED 29,000 - 37,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207018608-8OMZSVAPBF6R8COE8XKF/Amr%2BFekry_Tawahul.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Amr Fekry, Tawahul, 2003 (Estimate: $1,500 - 2,000, AED 5,500 - 7,300)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207019122-X5IE1YXI8ET03WAY7ML5/Sebastiao%2BSalgado_Oil%2BWells_Kuwait.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Sebastião Salgado, Oil Wells, Kuwait 1991 ( Estimate: $6,000 - 7,000, AED 22,000 - 26,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207019665-UV3Q7ZKZZ5FDC9SVN8RO/O%2BWinston%2BLink.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>O. Winston Link, The Birmingham Special Gets The Highball At Rural Retreat, Virginia, 1957 (Estimate: $3,000 - 5,000, AED 11,000 - 18,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207020146-YUWXJQ5X0YJY2UWUUKWM/Lillian%2BBassman_Carmen%2BHaving%2BTea.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Lillian Bassman, Carmen Having Tea, c. 1950s (Estimate: $5,000 - 6,000, AED 18,000 - 22,000)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207020673-A3J78X7GYOWP1AMEG98E/Arnold%2BNewman_Igor%2BStravinsky.jpg</image:loc>
      <image:title>Home - Bonhams - Photographs and Orientalist Art on 13th April</image:title>
      <image:caption>Arnold Newman, Igor Stravinsky, New York City, 1946 (Estimate: $5,000 - 7,000, AED 18,000 - 26,000)</image:caption>
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    <loc>https://www.theculturist.com/home/die-falschung-circle-of-deceit-by-volker-schlondorff.html</loc>
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    <lastmod>2025-03-29</lastmod>
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      <image:title>Home - Film Screening at The Empty Quarter - Die Fälschung (Circle of Deceit) by Volker Schlöndorff</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535207471366-UZJ3E0DE1RBTJQTBSLCP/Circle%2Bof%2BDeceit%2B2.jpg</image:loc>
      <image:title>Home - Film Screening at The Empty Quarter - Die Fälschung (Circle of Deceit) by Volker Schlöndorff</image:title>
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    <loc>https://www.theculturist.com/home/artist-talk-the-suce-bench-project.html</loc>
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    <lastmod>2025-03-29</lastmod>
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    <lastmod>2025-03-29</lastmod>
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      <image:title>Home - Trailer Tuesday - The Bang Bang Club</image:title>
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    <loc>https://www.theculturist.com/home/music-monday-royksopp.html</loc>
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      <image:title>Home - Music Monday - Röyksopp - Live at Chillout Festival</image:title>
      <image:caption>© Röyksopp by Stian Andersen</image:caption>
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      <image:title>Home - Art Dubai 2011</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204394526-V4SV45CDIGP68HGXREBZ/Richard%2BMosse_Pool%2Bat%2BUday.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Richard Mosse - Pool at Uday</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204389662-5X07A7AXIP6M9AKTQKY6/Richard%2BMosse_Space%2BWagon%2BMosul.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Richard Mosse - Space Wagon Mosul (from The Fall series), 2009</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204390595-94P6BM724HRZASJ4685C/Richard%2BMosse_Saddam.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Richard Mosse - Saddam</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204393544-LD257MBE9PYZSQ8MWGI1/Benjamin%2BLowy_Perspectives.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Benjamin Lowy - Iraq Perspectives</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204392851-HI7UYOZJVF2DEXWI01SW/Benjamin%2BLowy_Perspectives%2B2.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Benjamin Lowy - Iraq Perspectives</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204392176-M93E294GH8OT7IKRDZQP/Phil%2BNesmith_Palms.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Phil Nesmith - Palms, 2007</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204391705-3OSONFGLQHGZL8MT5GO6/Phil%2BNesmith_AH64.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Phil Nesmith - AH64, 2007</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204389212-KVYJ3E32QQSYIGOBLK5Q/Spencer%2BMurphy.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Spencer Murphy - Exhibit At IDEX 3, 2007</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b59fe6a7e3c3ac212f4a9aa/1535204388714-ORHBYZXNPXDKG649WHNE/Trevor%2BPaglen.jpg</image:loc>
      <image:title>Home - The Spectacle of War at The Empty Quarter - © Trevor Paglen - Detachment 3, Air Force Flight Test Center #2, 2008</image:title>
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      <image:title>Home - Exhibition at DUCTAC: MinD - Made in Dubai 2011 - © Salem Al Mansoori - Pattern System</image:title>
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      <image:title>Home - Exhibition at DUCTAC: MinD - Made in Dubai 2011 - © Alia Lootah - Anonymous</image:title>
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      <image:title>Home - Exhibition at DUCTAC: MinD - Made in Dubai 2011 - © Zeinab Al Hashemi - Marked Down</image:title>
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      <image:title>Home - Exhibition at DUCTAC: MinD - Made in Dubai 2011 - © Khalid Mezaina - Vibrant Future</image:title>
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      <image:title>Home - Exhibition at DUCTAC: MinD - Made in Dubai 2011 - © Hind Mezaina - The Shopping Cart Series</image:title>
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      <image:title>Home - March - a month of art and culture on steroids</image:title>
      <image:caption>Art Dubai 2010</image:caption>
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      <image:caption>© Camille Zakharia - Hut 17 Karzakan Bahrain</image:caption>
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