Review: Dubai International Film Festival 2010

The First Movie by Mark Cousins (image from www.thefirstmovie.net)
I'm back after spending a week at our cinemas attending the 7th edition of the Dubai International Film Festival. At the opening ceremony, Masoud Amralla Al Ali, DIFF’s Artistic Director said, “If I could choose one word to describe our 2010 programme, it would be 'discovery'. We have discoveries of new talents, new styles and new collaborations.”

I am always very enthusiastic about our film festivals, but this year’s edition of DIFF didn’t have that effect on me. There were a lot of discoveries, but this year’s edition lacked uplifting stories compared to last year (Zanzibar Musical Club, Les Plages D'Agnès, The Silver Fez, Amreeka to name a few). Maybe I missed out on watching some films that could have changed my mind but friends that watched many other films that I couldn’t shared the same feeling. Or maybe it’s a reflection of the year in general.

Don’t get me wrong, there were some good films shown, but from the selection I watched, I ended up with a handful of favourites compared to previous years.


The ones I loved:

1. The First Movie
A documentary written and directed by Mark Cousins is my number one film from this year’s festival. Filmed in the village of Goptapa in Iraqi Kurdistan, Cousins wanted to capture the village’s memories of war and suffering during the years of Saddam Hussein by focusing on the children and using cinema as a communication tool. 

He set up a makeshift open-air cinema and screened five classic films (The Boot, ET, Palle Alone in the World, The Red Balloon, The Singing Ringing Tree) and then gave the young children cameras to make their own films.

Watching the children experiencing and enjoying cinema for the first time was such a moving scene for me, I could not hold back the tears. As I type this and remember that scene, it brings tears to my eyes again (or maybe I’m just a tearful wreck). The beautiful short films made by the children were a selection innocence and profundity, which was just as moving.

The First Movie is so poetic and if there is any justice in this world, I hope these children have a bright future ahead of them.

2. Khusel Shunal (Passion)
A lovely documentary/road movie about Mongolia’s film history, which is almost non-existent compared
to the pre-democratic revolution days, which had a healthy film industry funded by the state.

Throughout the film, we follow Binder Jigjid, son of the legendary Mongolian director Jigjid Dejid, as he takes his film from village to village trying to find venues and viewers to watch it and his struggle to make art movies that must fight for attention against Hollywood blockbusters.

3. The King's Speech
This was screened at the opening gala of the festival and was wonderful, an absolute joy to watch. Colin Firth and Geoffrey Rush captured a great friendship on screen. I heard its director Tom Hooper describe it on a radio interview as a “period bromance”.

It deserves all the critical acclaim its been receiving since it’s release across the world.

4. Amin
A beautiful and heartbreaking story about Qashqai music (folk music of the ancient Qashqai tribes of southern Iran) and one man’s struggle, Amin Aghaie to keep it alive.

I always call people like Amin Aghaie music nerds and I mean it in the most endearing sense. Their effort in trying to preserve, record and archive music that is at the risk of disappearing is very commendable.

This is what else I watched:

Documentaries:

Imams Go To School follows a group of apprentice imams at Paris' Great Mosque undergoing a programme of secular training in the Catholic Institute of Paris. It’s an interesting look at inter-faith dialogue, but I wasn’t sure how convinced some of Imams were with this programme. Some of the dialogue felt stiff, it was as if some of the Imams couldn’t ignore the presence of the camera in the class room.

Jean-Michel Basquiat: The Radiant Child made me appreciate Basquiat's work more than before, it was a great insight into the life of the artist and his work.

All About My Father left me very disappointed, even though I was hoping it would be one of my favourites.  Its main character Elie Sfeir is a charming man and a barber who has coiffed the heads of politicians, princes and presidents since 1942. So I was expecting to hear some amazing stories, but most of them felt incomplete, lacked depth and throughout the film Elie Sfeir just looked very uncomfortable in front of the camera.

Hamama follows the lovely and strong-willed 90 year old Hamama from Al Dhaid, Sharjah in the United Arab Emirates. Known for having the gift of healing people, which was simply explained as a God given gift she one day discovered as a young woman, so it will sound like mumbo jumbo to many, but nevertheless, it was compelling to watch. I hope this gets picked up and screened at our local cinemas.

Tagnawittude takes a look at Gnawa music from North Africa and the traditional practice of trance state its musicians and listeners get into. Its director Rahma Benhamou El Madani used to watch her mother meditate and enter a state of self-induced hypnosis when she was a child and wanted to discover the roots of this practice. She interviews several musicians including members of Gnawa Diffusion's Amzigh Kateb and Aziz Maysour. We also get to witness some intimate musical performances and the trance it leads to, but the end of the film left me wondering if El Madani was satisfied with the result or still looking for more answers.

Madinat Al Mawta (The City of the Dead) was a good introduction Cairo's thriving and densely populated four mile long cemetery but it didn’t go in depth about life (and death) in this area.

Full length films

Harud (Autumn), a great display of the 'psychological decay' (as described by the director Aamir Bashir  in a discussin after the screening) of life in Kashmir. It was a very slow movie, but it had some very moving moments.

Jimseung Ui Kkut (End of Animal), the synopsis for this Korean film directed by Sung-hee Jo described it as a “gripping and absorbing psychodrama”. It was very tense to watch and left the audience quite baffled at the end.

El Maktoub (Taxiphone) is about a young Swiss couple who are crossing the Sahara desrt and bound for Timbuktu, Mali on a truck that breaks down leaving them stuck in a tiny settlement in the Algerian desert. During their stay they discover the local culture and lifestyle that eventually leaves them questioning their lives and choices. Its director, Mohammed Soudani later explained he wanted to explore  the role of westerners coping in an eastern environment and the film had some funny moments and beautiful desertscapes, but overall it felt bland and just wasn't powerful enough to get high marks.

Microphone, one of the most talked about film at this festival written and directed by Ahmad Abdalla is a love letter to Alexandria and an insight to its underground music scene. It follows a group of young and talented musicians looking for an opportunity to be seen and heard, yet, traditional society doesn’t offer them the opportunities. The soundtrack is good, the dialogue quite funny and despite its length (t could have been a bit shorter) and some of the plotlines lost its direction, I enjoyed it.

Norwegian Wood based on Haruki Murakami's novel and directed by Tran Anh Hung was one of the most beautiful looking films at this festival, filled with complicated and raw emotions.

The Piano in a Factory is an endearing film about Chen, a steel factory worker and a  father trying to keep his daughter after his estranged wife reappears asking for a divorce and custody of their daughter. The daughter who loves music thanks to her father decides to live with whoever can provide her a piano. After several failed attempts at trying grant her wish, Chen decides he will build a piano from scratch with a help of his friends at the derelict steel factory. The film has another layer to it - it's a nostalgic look at fading factory towns in northeastern industrial China in the 1990s.

Copacabana starring Isabelle Huppert and her daughter Lolita Chammah wasn't as quirky as I was expecting but it had superb acting by both mother and daughter. The bonus of the night was having both of them along with the director Marc Fitoussi present for a post screening discussion and question/answer session.

Short films

The Philosopher by first time filmmaker Abdulla AlKaabi and starring Jean Reno is a sweet look at trying to free yourself from possessions to find true happiness. 

Hayat min Sakhar (Life of Stone) by Moath Bin Hafez takes a look at he harsh life of Saeed Al Thuhoory, a 70 year old man from Shaam, Ras Al Khaimah in the United Arab Emirates who has been quarrying rocks and stones from the mountains since he was 10 years old. A very patient and content man who knows no other way of life. It felt like he finds spiritual satisfaction in these mountains.

Ghawas Gaza (Gaza Diver) by Ali Khalifa Bin Thalith is a heartbreaking yet uplifting look at Khalil Aljdeili, a young man who lost his legs during the Gaza bombing two years ago. He underwent treatment in the UAE and despite his disability was able to learn underwater diving and enjoy the freedom of movement underwater.

Brownbook Urban Series is comprised of 10 interviews with people making a difference to the Middle East through arts, music, food, and architecture brought to us by the same people behind Brownbook magazine. Although beautifully shot, it felt like an advertorial and is more suited for TV or an online series  - it really didn’t fit the festival line up.

One film that I must mention although not viewed at DIFF because I watched it in London few weeks ago is Uncle Boonmee Who Can Recall His Past Lives. I heard mixed reviews from the Dubai crowd, but I must say that had I watched it at this festival, it would have been a favourite. It's very hard to describe this film as it combines mythology, horror and humour. It's dark, yet optimistic. I am still trying to figure out the ending and I want to post a separate review about this film soon, so watch this space. I also want to add that I had the opportunity to meet one of its producers, Simon Field and had a brief chat with him about the film and the filmmaker, Apichatpong Weerasethakul.

Last few remaining thoughts about the festival (if you are still reading this, thank you for your interest and patience).

- The website www.dubaifilmfest.com -  I've already ranted about this in a previous post, but I just want to mention that I did not encounter one person that didn't have problems with the site. I even had a friend that flew in for the festival and struggled with the schedule, finding theatre locations, etc. Please, please, please DIFF invest in a decent website. This is your 7th year, you should have a consistent and working website by now. Trust me, it will be worthwhile. Find an agency that can design and build websites and stop treating it as an online version of your catalogue.

- The YouTube Channel www.youtube.com/dubaifilmfestival - DIFF announced a "curated" selection of online videos in collaboration with students from Zayed University. But throughout the week, DIFF’s Twitter feed felt like a spambot with a lot of posts showing links and names with no description, so it wouldn’t entice me to click. Not all the names are well known filmmakers, so perhaps a missed opportunity to get more people to click on the links.

A small example of what I am talking about from http://twitter.com/DFF2010

After the festival, I spent some time on the YouTube channel, and most of the interviewees are just saying how happy and excited they are to be in Dubai attending DIFF or even worse, being asked if they use the Internet. I mean, seriously, if you have a few minutes with Colin Firth, Ed Harris and Jean Reno, surely there are far more interesting questions to ask them. You can almost feel the awkwardness watching these clips.

- The outdoor venue for the Rhythm and Reels section of the festival, The Walk at Jumeirah Beach Residence location - again, I've already ranted about this before, and due to the "overwhelming response", the screenings ended up free of charge, so yes, it was easy to fill up. But for next year, I hope DIFF makes an effort to invite the whole city to be part of the festival, find a central venue and not just focus on the "new" parts of Dubai. Introduce venues to people that are not familiar with the rest of the city, let DIFF become a discovery of the city as well.

What were your thoughts of this year's festival? What was your highlight, lowlight? 

www.dubaifilmfest.com

Dubai International Film Festival - website and venue

Now that I've posted my top 20 picks for this this year's Dubai Film Festival, this post is to rant about a couple of issues. I know the festival has not started yet, but I'm just curious to know if anyone else feels the same way.

The DIFF website - www.dubaifilmfest.com
It's was painfully difficult to navigate the website to plan my schedule. The new calendar feature was not usable, it was quite difficult to get one proper overview per day. It's in Flash, too much scrolling and too many filter options which I don't think many would use. There is an option to "download a Microsoft Outlook ready file" ... erm, we don't all use Microsoft Outlook.

Looking at the current calendar, to then go to the Full Details page, to then add it in Favourite or in a My Calendar just isn't feasible. The site might be fine for people watching a couple of movies, but for people like yours truly that plan to watch a lot - allow us to download/export the entire schedule in chronological order into a Word document or Excel sheet so that we can create our own schedules by easily deleting the films we don't want to see. Just feels like a quicker solution compared to the fuss one has to go through on the website.

Screenshot of part of the timetable

If one prefers to go through the printed program guide instead of the website, then you know you have a problem. This is the 7th year of the festival and every year the site is different. Would be great if there's some consistency with the navigation, but more importantly, get the site usability right.

One more thing, the website lacks trailers. I managed to find trailers for most of the films listed in my top 20 films to watch at DIFF in my previous post. Watching a trailer really helps.



The venue - The Walk at Jumeirah Beach Residence

Call me a venue snob (and no offence to my friends that live there), but I was so disappointed when I found out that the Rhythms and Reels program will be screened at The Walk at Jumeirah Beach Residence. That part of 'new Dubai' is just not pleasant, busy in the evenings and on weekends, difficult to get to, full of cars driving up and down and people walking all around. It will be great for people that live there, but I know I won't make an effort to drive there to watch a film.

Don't know about you, but I do not want to watch a film surrounded by this.

The plan is to set up an open air cinema by the beach, but the area really lacks character. It is surrouned by high rise towers and it just breaks my heart that an open air cinema will be set up there. Would be great if DIFF can look at some other parts of town to create an impact, for instance, create an open air cinema in our parks. Here's one suggestion, there's an amphitheatre in Dubai Creek Park that is hardly used. Oh, how great it would be to set up a cinema there. Open air, by the creek and very charming. 

Anyone else out there feels the same?

My top 20 picks for Dubai International Film Festival 2010

The 7th edition of the Dubai International Film Festival is 4 days away. Since I was travelling the past few weeks, I did not have a chance to look at the film schedule till yesterday. The line up this year includes 157 films from 57 countries - with a very heavy focus on cinema from the Arab world. 

Here is my list of top 20 films, in no particular order, covering a wide varierty as possible. I would have included opening and closing films for this year's festival, The King's Speech and TRON: Legacy, plus 127 Hours, but since  they will be released in our cinemas soon, I decided to exclude them from this list. 

Let me know if you have your own list and see you at the festival, front row and centre.

 

Imams go to School
 

A group of apprentice imams at Paris's Great Mosque undergo a programme of secular training, in order to comply with new social regulations. They train at the Catholic Institute of Paris. Schedule and ticket information.


Harud (Autumn)

Rafiq and his family are struggling to come to terms with the loss of his older brother Tauqir, a tourist photographer, who is one of the thousands of young men who have disappeared since the onset of the militant insurgency in Kashmir. After an unsuccessful attempt to cross the border into Pakistan to become a militant, Rafiq returns home, frustrated by his own failure to escape. But when he discovers his late brother's cherished camera, complete with a roll of film, his life finds a new sense of purpose. The almost talismanic power of the cheap camera serves as a means to connecting to the past and offers Rafiq a new perspective on his troubled world. Actor Aamir Bashir's feature debut, 'Harud' is filmed with the muted, earthy tones of autumn flooding the screen with soft natural energy and light. And this emphasises the contrasting tension, generated by warring men and the dismal futility of their collective rage. Anchored by a quietly devastating performance from Shahnawaz Bhat as Rafiq, 'Harud' is a brilliantly dynamic yet subtle work that marks Bashir as a director to watch. Schedule and ticket information.


Uncle Boonmee Who Can Recall His Past Lives

The final part of Thai auteur Apichatpong Weerasethakul's multi-platform art project 'Primitive' - which includes 2009's short films 'A Letter to Uncle Boonmee' and 'Phantoms of Nabua' - 'Uncle Boonmee Who Can Recall His Past Lives' won the coveted Palme d'Or at this year's Cannes film festival. With its unorthodox structure, esoteric themes and dreamily impressionistic atmosphere, the award serves as ultimate vindication of the depth of Weerasethakul's vision and his mastery of a complex and delicate narrative. The film is built up of set-pieces, loosely based on the memories of the dying Buddhist Boonmee's life and those that came before. As he lies in bed, deep in the Thai countryside, his mind ranges over vast territories, his recollections weaving in magical or supernatural elements in compelling and gorgeous detail. But Boonmee's memories are contextualised within the beauty of nature and conversely, the immediate history of war in the region. A gentle, meditative film of uncommon beauty and rich with allusion and invention, it manages to surprise and enchant in every aspect. Schedule and ticket information.


Jean-Michel Basquiat: The Radiant Child

One of the most influential figures of the 1980s New York art scene, the late artist Jean-Michel Basquiat continues to fascinate critics and art-lovers over 20 years since his death, aged 27. From early days, tagging subway trains along the grimy Lower East Side to being feted by Andy Warhol and becoming the unlikely hero of the early 80s art scene to his drug-fuelled descent and demise only a few years later, filmmaker and friend Tamra Davis has created an authoritative and insightful account of this troubled genius. The film features a super-rare and fascinating interview with Basquiat, filmed by Davis in 1986, contributions from the key figures from the New York art world and images of his work that cannot fail to excite and confirm his status. A fascinating, tragic story that nevertheless crackles with the sheer verve and energy of Basquiat's unique, crudely beautiful work. Schedule and ticket information.


Jimseung Ui Kkut (End of Animal) 

A disaster film like no other, 'End Of Animal' will terrify, exhilarate and shock in equal measure. Heavily pregnant Sun-young is in a taxi returning to her hometown Taeryong. She is sharing the taxi with a mysterious man, who appears to know a lot about her. On a deserted back road, he makes the car stop and begins counting down to zero - whereupon a cataclysmic event occurs. Upon regaining consciousness, Sun-young tries to find help, but no-one is around. Instead, a walkie-talkie in the cab begins emitting cryptic instructions, telling her to stay with the car. As she meets a range of eccentric characters, the extent of her desperate situation becomes more and more apparent. This surrealist nightmare is a gripping and absorbing psychodrama from one of the most exciting new talents to have emerged from South Korea in recent times.

Schedule and ticket information.


El Mektoub (Taxiphone)

©2009 Michael Von Graffenried

Oliver and Elena are a young Swiss couple, crossing the Sahara on a truck bound for Timbuktu, Mali. Along the way, the truck breaks down, in a tiny settlement in the midst of the Algerian desert. Impatient to get the truck repaired and back on the road, Oliver soon starts chafing at the slow pace of life in the desert oasis. Elena, meanwhile, is fascinated by the people she meets in the village and quickly establishes herself in the community. As the days wear on, the couple adapt to their surroundings in different ways. Exploring the local culture and lifestyle opens Elena's eyes to new worlds, while Olivier remains tetchily anxious and unsure of his new environment. Ultimately, the pair begin to question their own lives and fundamental beliefs - and are forced to make dramatic, life-changing decisions. Schedule and ticket information.


I Wish I Knew

Shanghai is a fast-changing metropolis, a port city where people come and go. It has hosted all kinds of people - revolutionaries, capitalists, politicians, soldiers, artists, and gangsters. Shanghai has also hosted revolutions, assassinations and love stories. After the Chinese Communists' victory in 1949, thousands of Shanghaians left for Hong Kong and Taiwan. To leave meant being separated from home for 30 years, but to stay meant suffering through the Cultural Revolution. In this fascinating documentary, based on personal recollection, 18 people from three cities - Shanghai, Taipei and Hong Kong - recall their lives in Shanghai. Their personal experiences, like 18 chapters of a novel, tell stories of Shanghai lives from the 1930s to 2010. Schedule and ticket information.


Khusel Shunal (Passion)

 

Set against the magnificent backdrop of the Mongolian landscape, Byamba Sakhya's 'Passion' is a fascinating look at Mongolian film history. He follows Binder Jigjid, son of the legendary Mongolian director Jigjid Dejid, as he takes his films from village to village trying to eke out an existence. 'Passion' tells the compelling story of a complex relationship between artists and the system and the impact of social and political transition on individual destiny.The question of whether film is primarily a business or an art form looms large over this beautiful film. Schedule and ticket information.


Amin 

Amin is a postgraduate music student, researching for a doctoral degree at the Kiev Conservatory. As part of his study programme, he sets out to explore the increasingly elusive folk music of the ancient Qashqai tribes of southern Iran. This journey of discovery - a fascinating exploration into the heartlands of Iran and the uncovering of a once-vibrant cultural force now eroded into near-obsolescence - is absorbing enough. However director Shahin Parhami's beguiling film soon pulls back the film's focus to explore Amin's own life, his forlorn, threadbare existence forming a melancholy counterpoint to the haunting music he discovers in the empty pastoral landscapes and quiet back alleys of the district. The result is a powerful meditation on collective cultural loss as seen through the eyes of a man, as much on a quest to find himself, as the ancient music he so desperately seeks. Schedule and ticket information.


Over Your Cities Grass Will Grow
 

Legendary German artist Anselm Kiefer's work is known for its colossal intellectual scope, integrity and sheer physical heft. Using a variety of materials - including lead, ash, stone, glass, wood and concrete - over his 40 year career, Kiefer's paintings, sculptures and installations have consistently addressed big themes; social evolution, the paradoxical permanence and transience of collective consciousness, the intrinsic fabric of life. In this contemplative documentary, British filmmaker Sophie Fiennes takes us to the heart of Kiefer's process via a journey through the extraordinary 35-hectare work space he created amidst the hills of Barjac, France during the 1990s. A warren of twisting, subterranean chambers and tunnels incorporating his giant paintings and installations, it is where the artist devises and assembles his monumental pieces and as such, the definitive context in which to understand his work. Fiennes presents the viewer with a beautiful, almost wordless portrait of Kiefer at work. Seeing his breathtaking creations slowly, massively take shape in this surreal environment not only deepens our appreciation of one of the most important artists of our times, but invites us to marvel at the magic of the creative process itself. Schedule and ticket information.


Al Film Al Awal (The First Movie)

This very special documentary was shot in the sun-baked village of Goptapa, in Iraqi Kurdistan. Travelling through the region in 2008, British writer and filmmaker Mark Cousins discovered in Goptapa, a community thriving, yet still haunted by Saddam Hussein's genocidal massacres, twenty years ago. Wishing to try and somehow capture impressions of the village's collective memories of war and suffering led Cousins to tap the fertile imaginations of the village's children. This he did by assembling a makeshift open-air cinema and screening five classic childrens' films and then, giving the youngsters video cameras and inviting them to make their own films. In 'The First Movie' we witness the joy and excitement of the children as they encounter cinema for the first time and then, turn to their own stories. From the whimsical to the profound, the short films unleash a torrent of creativity and expression, which fit in perfectly with Cousins' own sensitive cinematography and narrative. Having drawn huge critical acclaim across the festival circuit, 'The First Film' resonates with life, imagination, beauty and inspiration. Schedule and ticket information.


Norwegian Wood

It's been dubbed the Japanese 'Catcher In The Rye' and now, Haruki Murakami's classic novel is a sumptuously-filmed feature from Tran Anh Hung. Perfectly capturing the nostalgic, languid sensuality of the story, Hung brings the book to life in an emotional and devastatingly beautiful piece of cinema. It's 1969 and Toru Watanabe (Kenichi Matsuyama) is a 19-year-old student in Tokyo, besotted by Naoko (Rinko Kikuchi), a beautiful and introspective young woman. But their mutual passion is complicated by the tragic death of their best friend years before. Watanabe lives with the influence of death everywhere, while Naoko feels as if some integral part of her has been permanently lost. It is at that time Midori (Kiko Mizuhara), a girl who is everything that Naoko is not - outgoing, vivacious, supremely self-confident - marches into Watanabe's life and he has to choose between his future and his past. Schedule and ticket information.


The Piano in a Factory

Chen (Wang Qian-Yuan) is a straightforward man, a steelworker in early 1990s China. All around him, political and social certainties are shifting rapidly. Yet for Chen, life is a simple round of work and then caring for his young daughter, left with him when his wife abandoned them, years ago. Chen's great love is music and he's a keen accordion player. He's managed to imbue his precocious young daughter with a love of music, so much so, that when his wife unexpectedly reappears, demanding custody of the child, the youngster informs her quarrelling parents that she will live with whoever can provide her with a piano. Determined to keep his daughter, but unable to afford a piano, Chen is forced to use all his ingenuity and resourcefulness. When in desperation, he finally hits upon a marvellous idea inspired by his workplace, it seems as if he might be in with a chance of winning his daughter back. Schedule and ticket information.


Tagnawittude

According to the director of this fascinating new documentary, Algerian filmmaker Rahma Benhamou El Madani, the traditional practice of trance has captivated her ever since she was a small girl watching her mother meditate and enter a state of self-induced hypnosis. Years later, working in a local radio station, she was surprised to hear the music she associated with her mother in an album sent in to the station. The band responsible was called Gnawa Diffusion and they played a beguiling blend of 'Gnawa' music, fused with Western and Arabic elements. Fascinated, El Madani set out on an odyssey to discover the roots of this ancient and haunting sound. Through interviews with Gnawa Diffusion's Amzigh Kateb and Aziz Maysour, El Madani delves deep into the heart of traditional Moroccan and Algerian culture in a fascinating journey of custom and rituals across the Maghreb and Mali. Schedule and ticket information.


Shi (Poetry) 

A profound story of an elderly woman in search of the fundamental poetry in her life. Mija lives with her young grandson in a small suburban city located along the Han River. A lively, exuberant character, Mija has a bird-like curiosity and is always up to something. One day, she happens to take a poetry class at the local cultural centre and finds herself inspired and excited by her new hobby. Her imagination soars, as she sees the world around her in a new, tantalising light, rich with potential poetic inspiration and beautiful in its infinite possibility. When she is suddenly faced with a reality harsh beyond her imagination, she realises perhaps life is not as beautiful as she had thought. Schedule and ticket information.


Copacabana

 

A poignant yet comedic tale set in Belgium. Isabelle Huppert shines in this unusual role as Babou, a charmingly eccentric lady whose love of exuberant Brazilian music (hence the film's title) is at odds with the straitlaced dullness of Belgium. Her daughter Esmerelda (Lolita Chammas) is quite the opposite, dissolving into a lather of embarrassment whenever her mother's around. Matters come to a head when Esmerelda forbids her mother to attend her imminent thoroughly conventional wedding to a rather dull executive type. Devastated and determined to win Esmerelda over, Babou flees to the grim northern city of Ostend where she has found a job selling timeshare flats to tourists. A new life beckons and Babou's effervescent nature flourishes amidst the bleak streets of the port city. Will she be able to reconcile with her daughter? This charming, bittersweet tale blends humour with very real pathos in the central characters played by real-life mother and daughter Huppert and Chammas. Schedule and ticket information.


Biutiful

Uxbal is a forlorn, middle-aged single father living in a run-down part of Barcelona. Estranged from his irresponsible wife, engaged in all manner of illicit activities and running a surreal sideline as a medium whispering to corpses in order to communicate with them in the hereafter, his life is a tangle of loyalties and broken dreams. When Uxbal is diagnosed with terminal cancer, his outlook is forced into a radical shift, forcing him to reassess the squalor of his activities (exploiting illegal Chinese and African immigrants) and consider anew the life he has made for his two children. As Uxbal grapples with his imminent death he comes to a realisation and understanding of the redemptive power of love. A beautiful, meditative and heartbreaking film suffused with a deep melancholy in which Bardem confirms his status as a great actor and Alejandro Gonzalez Inarritu reaffirms his reputation as one of the most perceptive and lyrical filmmakers around today. Schedule and ticket information.


Jack Goes Boating

Jack (Philip Seymour Hoffman) is a 40-something average Joe, a New York limo driver who drifts gently through life without unduly bothering anyone. His best friend and mentor is his co-worker Clyde (John Ortiz). Jack thinks that Clyde is great; he's everything that he is not, extrovert, self-assured, confident. Clyde is married to Lucy (Daphne Rubin-Vega) who works at a funeral parlour with the shy, timid Connie (Amy Ryan). Clyde and Lucy think the pair would be perfect together and heartily encourage something more than friendship. And indeed Jack and Connie begin shyly, almost reluctantly, dating whilst, ironically, their matchmakers' own marriage faces serious problems. This beautifully-acted four-hander is at times reminiscent of Woody Allen's classic 1970s relationship comedies or even Mike Leigh's parables of social conventions gone awry. Its theatrical roots (a play by Bob Glaudini) make for an ordered, graceful opened-out structure that first-time director Hoffman realises fully through the superb cast. Schedule and ticket information.


Malameh Filistinia Dai'a (Fragments of a Lost Palestine)

Filmmaker Norma Marcos has both French and Palestinian passports, yet finds herself a citizen of nowhere. Denied entry to Palestine by the Israeli authorities, she is unable to visit her ailing mother, and spends much of her time on the phone being given the runaround by civil servants. When she is finally allowed home to visit, she is keen to show her friend Stefan how normal people try to live normal lives outside of the occupation, and that there is a vibrant side of Palestine that exists outside of grim reports of violence and war. 'They never talk about the beer festivals', muses one friend, who, like Marcos, is tired of the way the world sees Palestine as nothing but a land of conflict. In a wide-ranging essay, through a series of conversations with friends, family and strangers, Marcos demonstrates that despite the inescapably tense political environment, life goes on. The film is a subjective journey, shot as fragmented memories of Marcos's country of birth, Palestine, as she remembers it. Schedule and ticket information.


Microphone

When Khaled returns to Alexandria after years of travel he discovers that things aren't going too well. His girlfriend greets him with the news that she is packing up and emigrating. His relationship with his ailing, aging father has deteriorated beyond repair. Confused, depressed and alone, Khaled walks the city streets at night, brooding over his life. But one night, he chances upon the city's hidden subculture - rappers, rockers, graffiti artists, a whole world of creativity, expression and art. Khaled is fascinated and begins a new life, full of excitement and discovery. As he moves deeper into this new world, he becomes a vociferous champion of the local art scene. With his limited resources and connections, he tries to support and raise attention to the diverse facets of his city. Schedule and ticket information.

 
(Film synopsis from the Dubai International Film Festival website.)

www.dubaifilmfest.com

Mascarades - movie screening in Dubai

Masquerades premiered at the Dubai International Film Festival 2008 and won the Muhr Arab Award and subsequently went on to win critical acclaim and several awards across several global film festivals.

It will be screening from 3rd-10th June at The Picturehouse in Dubai Mall -  so if you are craving world cinema, make sure you don't miss this one.

Masquerades narrates the story of Mounir, who lives with his family in the heart of the Algerian Aures. An arrogant man, who also adores his sister Rym, a narcoleptic and whom the village is convinced will end up a spinster - Mounir has only one dream: to finally be appreciated by his fellow citizens. After working for much of his life as a gardener in his dusty Algerian village, Mounir dreams of improving his family’s fortune and gaining a measure of respect by marrying off Rym, to a "real gentleman".

Rym, however,  has other plans. She dreams of marrying Mounir’s best friend, Khliffa, who has secretly courted her for years. When Mounir lashes out at village gossip with a fib that he has promised Rym to a wealthy outsider, she comes out of her sleepy stupor to embrace the rumor and press her real betrothed into action.

Beautifully brought to life by a memorable cast—including director Lyes Salem as the cocky but compassionate bumbler Mounir—this heartfelt comedy suggests that when dreams become reality, it’s time to wake up.

Director Lyes Salem was born in Alger, Algeria in 1973. After studying at the National Conservatory for Superior Dramatic Arts, he performed in some of the most respected theaters in the country. His second short film, Cousines, received France's César award for Best Short Film in 2005. As an actor, he has appeared in a number of films, including Alex, Banlieue 13 and L’Ecole de la Chair. Mascarades is his first feature film.

www.reelcinemas.ae/cineplexes/picturehouse
www.dubaifilmfest.com

City of Life

City of Life premiered last December at the Dubai International Film Festival 2009. I intentionally skipped this movie in December because I normally focus on watching movies I know that will have no chance in hell getting a wide release here and instead of counting on watching them on DVD later (since I cherish my cinema theatre experience), I make sure I watch as many as I can at the festival.

So with that in mind and with City of Life being a Dubai movie, I assumed it would be released across cinemas here shortly after the festival.

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Dubai International Film Festival 2009 - Review

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Dubai International Film Festival 2009

The 6th edition of the Dubai International Film Festival is back this month, from 9th-16th Dec. With over 170 films from 55 countries in this year's line up, here's my top 15 recommendations to watch this year:

Corso: The Last Beat

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